Description

Born to a Chinese diplomat family in Cuba, Ching Ho Cheng spent much of his career in New York City, where he was deeply involved in the city's artistic scene from the 1960s through the '80s. The style of his artworks varied widely throughout those decades, but he consistently preferred to work on paper, resulting in works such as this one. Its layered forms were inspired by the artist's practice of tearing up of his own unsuccessful drawings, leading to the realization that this process could also be used for making. He embarked on a series, which includes this drawing, as a process of renewal while grappling with the loss of friends and colleagues at the height of the AIDS crisis.