The Cleveland Museum of Art

Collection Online as of May 30, 2023

Kaiwan, Latif, and Sharif arrive at a house of worship, where they seek help from Khurshid who has become a mystical healer, from a Tuti-Nama (Tales of a Parrot): Thirty-second Night

c. 1560

Part of a set. See all set records

Mughal India, court of Akbar

(reigned 1556–1605)

Gum tempera, ink, and gold on paper

Overall: 20.3 x 14 cm (8 x 5 1/2 in.); Painting only: 14.3 x 10.1 cm (5 5/8 x 4 in.)

Gift of Mrs. A. Dean Perry 1962.279.213.b

Location

not on view

Fun Fact

The planet Saturn, called Kaiwan, is often depicted in South Asian imagery with a staff.

Description

Khurshid, kneeling on the right in the blue dress and orange cloak, has shaved her head and donned the robes of a holy man. A group of supplicants sit behind her. Below, the three men who wronged her seek cures for their ailments: Kaiwan holding a staff, has gone blind, Sharif has lost a hand to leprosy, and Latif has developed a palsy.

Provenance
Estate of Breckenridge Long, Bowie, MD, 1959; Harry Burke Antiques, Philadelphia, PA; Bernard Brown, Milwaukee, WI;
Citations
Chandra, Pramod, and Daniel J. Ehnbom. The Cleveland Tuti-Nama Manuscript and the Origins of Mughal Painting. [Cleveland]: Cleveland Museum of Art, 1976. pp. 79,133
Seyller, John. “Overpainting in the Cleveland T̤ūtīnāma.” Artibus Asiae 52, no. 3/4 (1992): 283-318. p. 317 www.jstor.org
Source URL: https://www.clevelandart.org/art/1962.279.213.b