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Medium: Pen and brown ink, red and black chalk (18)
Medium: Pen and brown ink, red and black chalk (18)
The Feast of Herod (recto)
Peter Paul Rubens (Flemish, 1577–1640)
1954.2.aCCCC0
Tomyris with the Head of Cyrus (verso)
Peter Paul Rubens (Flemish, 1577–1640)
1954.2.bCCCC0
The Departure of Jacob
François Boucher (French, 1703–1770)
1981.58CCCC0
Madonna Nursing the Christ Child
Bartolomé Esteban Murillo (Spanish, 1617–1682)
1968.66CCCC0
Peasant's Cottage (recto); Bridge and Gate (verso)
Abraham Bloemaert (Dutch, 1564–1651)
1940.737CCCC0
Peasant's Cottage (recto)
Abraham Bloemaert (Dutch, 1564–1651)
1940.737.aCCCC0
Bridge and Gate (verso)
Abraham Bloemaert (Dutch, 1564–1651)
1940.737.bCCCC0
Seated Woman Searching for Fleas
Adriaen van de Velde (Dutch, 1636–1672)
1966.239CCCC0
The Disrobing of Christ
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1999.5CCCC0
Madonna and Child
Jacopo Chimenti (Italian, c. 1554–1640)
1929.10CCCC0
The Conversion of Saul with Horseman and Banner
Jacob Jordaens (Flemish, 1593–1678)
1954.366CCCC0
Design for a Frieze with a Putto and Acanthus Leaves
Giulio Romano (Italian, 1492/99–1546)
2020.70CCCC0
Standing Officer Holding a Boar's Spear
Hendrick Goltzius (Dutch, 1558–1617)
1994.195CCCC0
Angel Appearing to Zacharias
Samuel van Hoogstraten (Dutch, 1627–1678)
1929.12CCCC0
Sheet of Studies: Seated Man, Head of a Dog, Seated Woman
Claude-Joseph Vernet (French, 1714–1789)
2003.265CCCC0
The Judgment of Paris
Carletto Caliari (Italian, 1570–1596)
1946.216CCCC0
Romulus and Remus Found by Faustulus (recto)
Romanino (Italian, 1484/87–1562)
1963.87.aCCCC0
Copy after Primaticcio's Juno Awakening Sleep
Francesco Primaticcio (Italian, 1504–1570)
1929.537CCCC0
The Baptism of Christ
Cesare Pollini (Italian, c. 1560-c. 1630)
1988.80CCCC0
Un Hebreo, from Christ Shown to the People (recto)
Taddeo Zuccaro (Italian, 1529–1566)
2015.13.aCCCC0
Title, DateArtist / CultureAccession numberMediumDimensionsCredit lineRights
The Feast of Herod (recto) Tomyris with the Head of Cyrus (verso)
Peter Paul Rubens (Flemish, 1577–1640)
1954.2pen and brown ink, with black and red chalk, touched with white gouacheSheet: 27.2 x 47.2 cm (10 11/16 x 18 9/16 in.); Secondary Support: 27.6 x 47.3 cm (10 7/8 x 18 5/8 in.)Delia E. Holden and L. E. Holden FundsCCCC0
The Departure of Jacob
François Boucher (French, 1703–1770)
1981.58Pen and brown-black ink, brown ink wash, and red chalk wash, with black chalk on cream laid paperSheet: 34.8 x 23.1 cm (13 11/16 x 9 1/8 in.)Delia E. Holden and L. E. Holden FundsCCCC0
Madonna Nursing the Christ Child
Bartolomé Esteban Murillo (Spanish, 1617–1682)
1968.66pen and brown ink and brush and brown wash over red and black chalk, with traces of white; framing lines in pen and brown inkSheet: 21.4 x 15.4 cm (8 7/16 x 6 1/16 in.); Secondary Support: 24.1 x 18.5 cm (9 1/2 x 7 5/16 in.)Mr. and Mrs. Charles G. Prasse CollectionCCCC0
Peasant's Cottage (recto); Bridge and Gate (verso)
Abraham Bloemaert (Dutch, 1564–1651)
1940.737pen and brown ink with brush and brown, blue, red and yellow wash, over black and red chalkSheet: 17.2 x 27.2 cm (6 3/4 x 10 11/16 in.)Bequest of James ParmeleeCCCC0
Seated Woman Searching for Fleas
Adriaen van de Velde (Dutch, 1636–1672)
1966.239red chalk over black chalk; framing lines in pen and brown inkSheet: 18.4 x 23.4 cm (7 1/4 x 9 3/16 in.); Secondary Support: 18.4 x 23.4 cm (7 1/4 x 9 3/16 in.)John L. Severance FundCCCC0
The Disrobing of Christ
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1999.5pen and brown and black ink, brush and black, brown, and red-brown wash, over black chalk; framing lines in pen and brown inkSheet: 47.9 x 38.2 cm (18 7/8 x 15 1/16 in.); Image: 46.1 x 36.2 cm (18 1/8 x 14 1/4 in.)Purchase from the J. H. Wade FundCCCC0
Madonna and Child
Jacopo Chimenti (Italian, c. 1554–1640)
1929.10black and red chalk and pen and brown ink (iron gall)Sheet: 32.7 x 22.3 cm (12 7/8 x 8 3/4 in.); Secondary Support: 32.7 x 22.3 cm (12 7/8 x 8 3/4 in.)The Charles W. Harkness Endowment FundCCCC0
The Conversion of Saul with Horseman and Banner
Jacob Jordaens (Flemish, 1593–1678)
1954.366Black and red chalk, pen and black and gray ink, brush and brown wash, watercolor, and gouache, heightened with white gouache; framing lines in red chalk and graphite (right edge)Sheet: 32.9 x 19.9 cm (12 15/16 x 7 13/16 in.)Delia E. Holden and L. E. Holden FundsCCCC0
Design for a Frieze with a Putto and Acanthus Leaves
Giulio Romano (Italian, 1492/99–1546)
2020.70Pen and brown ink, red and black chalkSheet: 32.6 x 16.2 cm (12 13/16 x 6 3/8 in.)Anne Elizabeth Wilson Memorial FundCCCC0
Standing Officer Holding a Boar's Spear
Hendrick Goltzius (Dutch, 1558–1617)
1994.195Pen and brown ink, brush and brown wash, red chalk with traces of white opaque watercolor over black chalk, on paper; traces of transferSheet: 20.6 x 15.6 cm (8 1/8 x 6 1/8 in.)Leonard C. Hanna, Jr. FundCCCC0
Angel Appearing to Zacharias
Samuel van Hoogstraten (Dutch, 1627–1678)
1929.12reed pen and brown and black ink and brush and brown, gray and red wash, over black chalkSheet: 17.1 x 15.5 cm (6 3/4 x 6 1/8 in.)The Charles W. Harkness Endowment FundCCCC0
Sheet of Studies: Seated Man, Head of a Dog, Seated Woman
Claude-Joseph Vernet (French, 1714–1789)
2003.265red chalk (seated man); black chalk (head of a dog); pen and brown ink over black chalk (seated woman)Sheet: 12.4 x 12.7 cm (4 7/8 x 5 in.)Bequest of Nicholas J. VelloneyCCCC0
The Judgment of Paris
Carletto Caliari (Italian, 1570–1596)
1946.216pen and brown ink and brush and brown wash, with brush and gray wash, over black chalk, heightened with white gouache; framing lines in green ink and red chalk (bottom)Sheet: 39.2 x 51.1 cm (15 7/16 x 20 1/8 in.); Secondary Support: 39.2 x 51.1 cm (15 7/16 x 20 1/8 in.)Dudley P. Allen FundCCCC0
Romulus and Remus Found by Faustulus (recto) Concentric Circles (verso)
Romanino (Italian, 1484/87–1562)
1963.87pen and brown ink, with point of brush and brown wash over black chalk (traces of red chalk and purple wash unrelated to composition)Sheet: 16.3 x 24.8 cm (6 7/16 x 9 3/4 in.); Secondary Support: 23.6 x 31 cm (9 5/16 x 12 3/16 in.)Dudley P. Allen FundCCCC0
Copy after Primaticcio's Juno Awakening Sleep
Francesco Primaticcio (Italian, 1504–1570)
1929.537pen and black ink (with point of brush?) and brush and red-brown wash (red chalk wash?), heightened with lead white (partially oxidized); framing lines in brown ink with traces of gold paintSheet: 22.3 x 33.5 cm (8 3/4 x 13 3/16 in.); Secondary Support: 33.5 x 45.7 cm (13 3/16 x 18 in.)Dudley P. Allen FundCCCC0
The Baptism of Christ
Cesare Pollini (Italian, c. 1560-c. 1630)
1988.80pen and brown ink and brush and brown wash and red chalk; traces of framing lines in black chalkSheet: 11.5 x 19.6 cm (4 1/2 x 7 11/16 in.); Secondary Support: 11.5 x 19.6 cm (4 1/2 x 7 11/16 in.)John L. Severance FundCCCC0
Portrait of a Man, said to be the Sculptor Clodion (1738–1814)
Unknown
2018.51Black chalk with stumping and red and blue chalks; frame details in pen and brown ink and blue washesDiameter: 13.7 cm (5 3/8 in.); height: 13.9 cm (5 1/2 in.)Bequest of Muriel ButkinCCCC0
Un Hebreo, from Christ Shown to the People (recto); Design for a Wall...
Frederico Zuccaro (Italian, 1540/1–1609) and 1 other
2015.13Brown wash with outlining in pen and brown ink and red chalk, with traces of black chalk (recto); Pen and brown ink with brown wash over red chalk and traces of pencil, the three pasted-in compositional sketches in black chalk laid down on an album sheetSheet: 33.4 x 43.5 cm (13 1/8 x 17 1/8 in.); Page: 34.1 x 46 cm (13 7/16 x 18 1/8 in.); Sheet 4: 7.9 x 3.9 cm (3 1/8 x 1 9/16 in.); Sheet 3: 13.7 x 7.3 cm (5 3/8 x 2 7/8 in.); Sheet 1: 7.9 x 3.7 cm (3 1/8 x 1 7/16 in.)John L. Severance FundCCCC0