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Medium: Pen and brown ink, heightened with traces of white gouache (8)
Medium: Pen and brown ink, heightened with traces of white gouache (8)
Aeneas Saving Anchises at the Fall of Troy
Federico Barocci (Italian, 1528–1612)
1960.26CCCC0
Saint Christopher
Andrea Mantegna (Italian, 1431–1506)
1956.39CCCC0
Bacchanal
circle of Pietro da Cortona (Italian, 1596–1669)
1954.688CCCC0
Lot and His Daughters (recto) Sketch for Lot and His Daughters (verso)
circle of Pietro da Cortona (Italian, 1596–1669)
1954.696CCCC0
Lot and His Daughters (recto)
circle of Pietro da Cortona (Italian, 1596–1669)
1954.696.aCCCC0
Profile of a Girl Holding a Candle
Italy, 15th century
1939.652CCCC0
Perseus and Minerva before a Temple
Jan Goeree (Dutch, 1670–1731)
1998.152CCCC0
The Agony in the Garden
Santi di Tito (Italian, 1536–1602)
2015.14CCCC0
Lady Elliott, Commonly Called Dolly The Tall
Thomas Rowlandson (British, 1756–1827)
1997.84CCCC0
Title, DateArtist / CultureAccession numberMediumDimensionsCredit lineRights
Aeneas Saving Anchises at the Fall of Troy
Federico Barocci (Italian, 1528–1612)
1960.26Pen and brown ink, brush and brown wash and yellow gouache heightened with traces of white, over black chalk, with stylus (banister); framing lines in pen and brown inkSheet: 27.7 x 42.6 cm (10 7/8 x 16 3/4 in.)L. E. Holden FundCCCC0
Saint Christopher
Andrea Mantegna (Italian, 1431–1506)
1956.39Pen and brown ink and blue gouache with brush and green wash and traces of orange gouache, heightened with white gouacheSheet: 28.6 x 17.4 cm (11 1/4 x 6 7/8 in.); Secondary Support: 28.7 x 17.6 cm (11 5/16 x 6 15/16 in.)Dudley P. Allen FundCCCC0
Bacchanal
circle of Pietro da Cortona (Italian, 1596–1669)
1954.688Pen and brown ink and brush and brown wash over black chalk, heightened with white gouache; incised, framing lines in brown ink over traces of black chalkSheet: 26.3 x 43.5 cm (10 3/8 x 17 1/8 in.); Image: 25.4 x 42.7 cm (10 x 16 13/16 in.); Secondary Support: 26.3 x 43.5 cm (10 3/8 x 17 1/8 in.)The Norweb CollectionCCCC0
Lot and His Daughters (recto) Sketch for Lot and His Daughters (verso)
circle of Pietro da Cortona (Italian, 1596–1669)
1954.696Pen and brown ink over black chalk(?), heightened with traces of white gouacheSheet: 21.8 x 19.6 cm (8 9/16 x 7 11/16 in.)The Norweb CollectionCCCC0
Profile of a Girl Holding a Candle
Italy, 15th century
1939.652Pen and brown ink, heightened with traces of white gouacheSheet: 15.2 x 10.8 cm (6 x 4 1/4 in.)Gift of Robert Hays GriesCCCC0
Perseus and Minerva before a Temple
Jan Goeree (Dutch, 1670–1731)
1998.152Pen and brown ink, brush and brown and gray wash, over traces of red chalk, heightened with white gouache; framing lines in brown inkSheet: 21.4 x 15.8 cm (8 7/16 x 6 1/4 in.); Secondary Support: 25.5 x 19.7 cm (10 1/16 x 7 3/4 in.)John L. Severance FundCCCC0
The Agony in the Garden
Santi di Tito (Italian, 1536–1602)
2015.14Pen and brown ink, brown wash, heightened with white gouache with traces of black chalk on hillside above stairs, squared in black chalk, on blue paper; within brown ink framing lines. Lined with cream wove paperSheet: 20.2 x 15.1 cm (7 15/16 x 5 15/16 in.)John L. Severance FundCCCC0
Lady Elliott, Commonly Called Dolly The Tall
Thomas Rowlandson (British, 1756–1827)
1997.84Graphite, pen and brown ink, and watercolor, heightened with traces of white gouacheImage: 16.2 x 10.9 cm (6 3/8 x 4 5/16 in.); Secondary Support: 25.4 x 20 cm (10 x 7 7/8 in.)Bequest of Mrs. A. Dean PerryCCCC0