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Medium: Pen and brown ink and brush and gray and brown wash, with brush and grey ink; framing lines in brown ink (12)
Medium: Pen and brown ink and brush and gray and brown wash, with brush and grey ink; framing lines in brown ink (12)
Piazza San Marco, Venice
Francesco Guardi (Italian, 1712–1793)
1951.83CCCC0
The Conversion of Saul with Horseman and Banner
Jacob Jordaens (Flemish, 1593–1678)
1954.366CCCC0
View of Alkmaar with Boats
Netherlands, 17th century
1929.538CCCC0
Boar Hunt
Abraham Hondius (Dutch, c. 1625–1695)
1960.157CCCC0
Monumental Vaulted Hall with Staircase
Giuseppe Galli Bibiena (Italian, 1696–1757)
1962.114CCCC0
The Judgment of Paris
Carletto Caliari (Italian, 1570–1596)
1946.216CCCC0
Flagellation of Christ
Gaspare Diziani (Italian, 1689–1767)
1960.179CCCC0
Ships at Sea
Ludolf Backhuysen (Dutch, 1631–1708)
1954.702CCCC0
Design for a Monstrance
Anonymous
1971.33CCCC0
A View of Spa
Jan Brueghel (Flemish, 1568–1625)
1979.26CCCC0
Eighteen Views of Rome: The Piazza Barberini (recto); Tracing of a...
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.265CCCC0
Eighteen Views of Rome: The Piazza Barberini (recto)
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.265.aCCCC0
Perseus and Minerva before a Temple
Jan Goeree (Dutch, 1670–1731)
1998.152CCCC0
Title, DateArtist / CultureAccession numberMediumDimensionsCredit lineRights
Piazza San Marco, Venice
Francesco Guardi (Italian, 1712–1793)
1951.83pen and brown ink, brush and brown wash, with brush and gray wash (possibly chalk) and traces of black chalk, framing lines in brown and black inkSheet: 31.3 x 46.5 cm (12 5/16 x 18 5/16 in.)John L. Severance FundCCCC0
The Conversion of Saul with Horseman and Banner
Jacob Jordaens (Flemish, 1593–1678)
1954.366Black and red chalk, pen and black and gray ink, brush and brown wash, watercolor, and gouache, heightened with white gouache; framing lines in red chalk and graphite (right edge)Sheet: 32.9 x 19.9 cm (12 15/16 x 7 13/16 in.)Delia E. Holden and L. E. Holden FundsCCCC0
View of Alkmaar with Boats
Netherlands, 17th century
1929.538point of brush and gray ink and brush and gray wash with traces of pen and black ink over traces of graphite; framing lines in brown inkSheet: 13.8 x 20.4 cm (5 7/16 x 8 1/16 in.)Dudley P. Allen FundCCCC0
Boar Hunt
Abraham Hondius (Dutch, c. 1625–1695)
1960.157pen and black ink and brush and black and gray wash heightened with lead white (partially oxidized); framing lines in black and brown inkSheet: 41.9 x 52.5 cm (16 1/2 x 20 11/16 in.); Secondary Support: 41.9 x 52.5 cm (16 1/2 x 20 11/16 in.)Delia E. Holden FundCCCC0
Monumental Vaulted Hall with Staircase
Giuseppe Galli Bibiena (Italian, 1696–1757)
1962.114pen and brown ink and brush and gray wash, with brush and brown wash and traces of yellow gouache; framing lines in brown inkSheet: 31.6 x 45 cm (12 7/16 x 17 11/16 in.); Image: 31 x 44.4 cm (12 3/16 x 17 1/2 in.)Delia E. Holden FundCCCC0
The Judgment of Paris
Carletto Caliari (Italian, 1570–1596)
1946.216pen and brown ink and brush and brown wash, with brush and gray wash, over black chalk, heightened with white gouache; framing lines in green ink and red chalk (bottom)Sheet: 39.2 x 51.1 cm (15 7/16 x 20 1/8 in.); Secondary Support: 39.2 x 51.1 cm (15 7/16 x 20 1/8 in.)Dudley P. Allen FundCCCC0
Flagellation of Christ
Gaspare Diziani (Italian, 1689–1767)
1960.179pen and black ink, black chalk, and brush and gray wash, with brush and brown wash; squared in graphite, framing lines in black chalk and black inkSheet: 20 x 27.1 cm (7 7/8 x 10 11/16 in.); Image: 19.5 x 26.1 cm (7 11/16 x 10 1/4 in.)James Parmelee FundCCCC0
Ships at Sea
Ludolf Backhuysen (Dutch, 1631–1708)
1954.702pen and brown ink and brush and gray and brown wash, with brush and grey ink; framing lines in brown ink Sheet: 12.3 x 17.1 cm (4 13/16 x 6 3/4 in.)The Norweb CollectionCCCC0
Design for a Monstrance
Anonymous
1971.33pen and brown ink (ruled in places) and brush and brown wash, with graphite, traces of brush and gray and pink wash, and stylus; framing lines in graphiteSheet: 76.6 x 43 cm (30 3/16 x 16 15/16 in.)Delia E. Holden FundCCCC0
A View of Spa
Jan Brueghel (Flemish, 1568–1625)
1979.26pen and brown ink and brush and brown and gray wash, with blue and green watercolor and red chalk wash; framing lines in pen and brown inkSheet: 20.5 x 14.8 cm (8 1/16 x 5 13/16 in.)Andrew R. and Martha Holden Jennings FundCCCC0
Eighteen Views of Rome: The Piazza Barberini (recto); Tracing of a...
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.265pen and brown ink and brush and gray wash with graphite; framing lines in brown ink and graphite (along bottom edge); sketch unrelated to main composition in graphite (upper right)Sheet: 38.3 x 49.7 cm (15 1/16 x 19 9/16 in.)Dudley P. Allen FundCCCC0
Perseus and Minerva before a Temple
Jan Goeree (Dutch, 1670–1731)
1998.152pen and brown ink, brush and brown and gray wash, over traces of red chalk, heightened with white gouache; framing lines in brown inkSheet: 21.4 x 15.8 cm (8 7/16 x 6 1/4 in.); Secondary Support: 25.5 x 19.7 cm (10 1/16 x 7 3/4 in.)John L. Severance FundCCCC0