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Medium: Pen and brown ink and brush and brown wash; framing lines in brown ink (102)
Medium: Pen and brown ink and brush and brown wash; framing lines in brown ink (102)
A Spring Shower
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1937.573CCCC0
The Presentation in the Temple
François Boucher (French, 1703–1770)
1925.1005CCCC0
Capriccio: A Palace with a Courtyard by the Lagoon
Antonio Canaletto (Italian, 1697–1768)
1930.23CCCC0
Salome with the Head of St. John the Baptist
Albrecht Altdorfer (German, c. 1480–1538)
1948.440CCCC0
Vaulted Staircase
Hubert Robert (French, 1733–1808)
1926.504CCCC0
View of the Acqua Acetosa (recto); David and Goliath (verso)
Claude Lorrain (French, 1604–1682)
1928.15CCCC0
Madonna Nursing the Christ Child
Bartolomé Esteban Murillo (Spanish, 1617–1682)
1968.66CCCC0
Piazza San Marco, Venice
Francesco Guardi (Italian, 1712–1793)
1951.83CCCC0
The Disrobing of Christ
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1999.5CCCC0
Allegory of Christian Belief
Johann Liss (German, c. 1597–1631)
1953.6CCCC0
Aeneas Saving Anchises at the Fall of Troy
Federico Barocci (Italian, 1528–1612)
1960.26CCCC0
The Idolatry of Solomon
Pietro da Cortona (Italian, 1596–1669)
1987.142CCCC0
The Woman with a Tambourine
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1947.12CCCC0
Flight into Egypt: The Embarkment of the Holy Family
Giovanni Battista Tiepolo (Italian, 1696–1770)
1929.443CCCC0
Eighteen Views of Rome: The Piazza Farnese (recto); Cartouche (verso)
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.257CCCC0
The Trial
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1937.569CCCC0
Peasants with a Farm-cart
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1937.568CCCC0
Scene in a Park
Jean-Honoré Fragonard (French, 1732–1806)
1925.1006CCCC0
Eighteen Views of Rome: The Campidoglio
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.264CCCC0
Figures on a Winding Road
Salvator Rosa (Italian, 1615–1673)
1975.17CCCC0
View of Ancient Buildings
Jacob van der Ulft (Dutch, 1627–1689)
1929.546CCCC0
Punchinello Arrested
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1937.570CCCC0
The Cattle Vendor
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1937.574CCCC0
View of Orléans from the Loire
Lambert Doomer (Dutch, 1623–1700)
1966.4CCCC0
The Game of Bowls
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1937.571CCCC0
Eighteen Views of Rome: The Piazza Colonna
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.258CCCC0
Sacrificial Offering in a Temple
Giovanni Battista Piranesi (Italian, 1720–1778)
1953.259CCCC0
Architectural Conference
Italy, 17th century
1954.713CCCC0
The Conversion of Saul with Horseman and Banner
Jacob Jordaens (Flemish, 1593–1678)
1954.366CCCC0
Gathering Wood
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1937.572CCCC0
The Tric-Trac Players
Philips de Koninck (Dutch, 1619–1688)
1958.373CCCC0
Figures by a Rocky Pool
Salvator Rosa (Italian, 1615–1673)
1975.16CCCC0
Victorious Soldiers with Trophy
Pellegrino Tibaldi (Italian, 1527–1596)
1954.689CCCC0
Monumental Vaulted Hall with Staircase
Giuseppe Galli Bibiena (Italian, 1696–1757)
1962.114CCCC0
Cupid Blindfolded and Two Doves
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1941.604CCCC0
The Stag Hunt
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1981.36CCCC0
A View of Spa
Jan Brueghel (Flemish, 1568–1625)
1979.26CCCC0
Elevation for Wall Decoration
Italy, 16th century
1927.363CCCC0
Ponte San Rocco at Tivoli
Willem van Niewlandt (Flemish, 1584–1635/6)
1954.560CCCC0
Sheep and Cows
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1947.13CCCC0
Jacopo Marcello Directing the Assault of Gallipoli
Antonio Guardi (Italian, 1699–1760)
1953.135CCCC0
Landscape with Tower at Seashore
Filippo Napoletano (Italian, c. 1587-c. 1629)
1954.674CCCC0
A Rocky Cove with Fishing Boats
Allart van Everdingen (Dutch, 1621–1675)
1980.70CCCC0
Death on Horseback Chasing a Flying Knight
Sebastian Vrancx (Flemish, 1573–1647)
1980.19CCCC0
A Faun Grasping a Bunch of Grapes
Peter Paul Rubens (Flemish, 1577–1640)
1943.341CCCC0
Boar Hunt
Abraham Hondius (Dutch, c. 1625–1695)
1960.157CCCC0
Flagellation of Christ
Gaspare Diziani (Italian, 1689–1767)
1960.179CCCC0
The Judgment of Paris
Carletto Caliari (Italian, 1570–1596)
1946.216CCCC0
A Barnyard with Goats and a Goatherd
Abraham Bloemaert (Dutch, 1564–1651)
1980.49CCCC0
View of Alkmaar with Boats
Netherlands
1929.538CCCC0
View of Dordrecht from the River
Jacob van Strij (Dutch, 1756–1815)
1961.79CCCC0
Pillaging Soldiers
Dirk Langendijk (Dutch, 1748–1805)
1969.298CCCC0
Landscape with Shepherds
Domenico I Piola (Italian, 1627–1703)
1939.664CCCC0
Ceres
Lelio Orsi (Italian, 1511–1587)
1939.655CCCC0
Eighteen Views of Rome: The Ponte Rotto
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.269CCCC0
Head of a Man
Annibale Carracci (Italian, c. 1560–1609)
1954.690CCCC0
Illustration from Torquato Tasso's Gerusalemme Liberata
Bernardo Castello (Italian, 1557–1629)
1954.692CCCC0
Copy after Primaticcio's Juno Awakening Sleep
Francesco Primaticcio (Italian, 1504–1570)
1929.537CCCC0
Eighteen Views of Rome: The Quattro Fontane Looking Toward Monte Cavallo
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.273CCCC0
Eighteen Views of Rome: The Church of the Gesù
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.271CCCC0
Landscape
Anonymous and 1 other
1962.21CCCC0
Allegory
Charles Abraham Chasselat (French, 1782–1843)
1982.366CCCC0
Eighteen Views of Rome: The Castel Sant'Angelo
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.268CCCC0
Design for a Ceiling: Mars and Aries
Italy, 18th century
1927.337CCCC0
Eighteen Views of Rome: Santa Maria in Via Lata
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.263CCCC0
Copy of Raphael's Massacre of the Innocents
Raphael (Italian, 1483–1520)
1988.28CCCC0
Eighteen Views of Rome: The Church of Sant'Ignazio
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.266CCCC0
Bacchanal
Pietro da Cortona (Italian, 1596–1669)
1954.688CCCC0
Eighteen Views of Rome: The Church of Santa Maria in Vallicella
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.267CCCC0
The Baptism of Christ
Cesare Pollini (Italian, c. 1560-c. 1630)
1988.80CCCC0
Eighteen Views of Rome: The Campo Vaccino (The Roman Forum)
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.270CCCC0
Maternal Solicitude
Jean Baptiste Le Prince (French, 1734–1781)
1953.609CCCC0
Rocky Landscape with a Cave Chapel
Johann Martin von Rohoden (Flemish, 1778–1868)
1977.159CCCC0
Ships at Sea
Ludolf Backhuysen (Dutch, 1631–1708)
1954.702CCCC0
Eighteen Views of Rome: The Trevi Fountain
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.272CCCC0
The Poultry Woman
Hendrik Meijer (Dutch, 1737–1793)
1937.467CCCC0
Eighteen Views of Rome: The Piazza del Popolo (recto); Sketch for San...
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.261CCCC0
The Fish Monger
Hendrik Meijer (Dutch, 1737–1793)
1937.468CCCC0
Design for a Monstrance
Anonymous
1971.33CCCC0
God the Father with Angels and Cherubs
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1991.324CCCC0
Eighteen Views of Rome: The Basilica of Santa Maria Maggiore
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.259CCCC0
Bust of Diana with Putti and Hunting Attributes
Jacob de Wit (Dutch, 1695–1754)
1979.124CCCC0
Ascension of Saint Jerome
Karel Skréta (Czech, 1610–1674)
1954.691CCCC0
Eighteen Views of Rome: The Collegio di Propaganda Fide (recto);...
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.262CCCC0
God the Father with Symbol of the Trinity
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1991.325CCCC0
Eighteen Views of Rome: The Quirinale
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.260CCCC0
Roman Subject
Philibert Benoît Delarue (French, 1718–1780)
1939.656CCCC0
Barrel-Vaulted Arcade Rendered in Perspective
Francesco Battaglioli (Italian, 1725–1796)
1954.687CCCC0
Landscape with Horsemen
Flanders
1951.264CCCC0
Edge of Marsh at Couronne
Félix Ziem (French, 1821–1911)
1982.169CCCC0
Mythological Scene
Louis Cheron (French, 1660–1713)
1998.312CCCC0
Pastoral Landscape with a Ruin
Jacob Cats (Dutch, 1741–1799)
1989.228CCCC0
Perseus and Minerva before a Temple
Jan Goeree (Dutch, 1670–1731)
1998.152CCCC0
Eighteen Views of Rome: The Piazza Barberini (recto); Tracing of a...
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.265CCCC0
Title, DateArtist / CultureAccession numberMediumDimensionsCredit lineRights
A Spring Shower
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1937.573pen and brown ink and brush and brown wash over black chalk; framing lines in brown ink over graphiteImage: 29.6 x 41.5 cm (11 5/8 x 16 5/16 in.); Sheet: 35.5 x 47.1 cm (14 x 18 9/16 in.)Purchase from the J. H. Wade FundCCCC0
The Presentation in the Temple
François Boucher (French, 1703–1770)
1925.1005pen and brown ink, brush and brown wash, and black chalk, heightened with white paint; framing lines in pen and brown inkSheet: 32.3 x 20 cm (12 11/16 x 7 7/8 in.); Framed: 66 x 50.9 x 6.4 cm (26 x 20 1/16 x 2 1/2 in.)Gift of Leonard C. Hanna, Jr.CCCC0
Capriccio: A Palace with a Courtyard by the Lagoon
Antonio Canaletto (Italian, 1697–1768)
1930.23pen and brown ink and brush and gray and black wash over traces of graphite (?); framing lines in pen and brown and black inkSheet: 26.9 x 42.1 cm (10 9/16 x 16 9/16 in.)Purchase from the J. H. Wade FundCCCC0
Salome with the Head of St. John the Baptist
Albrecht Altdorfer (German, c. 1480–1538)
1948.440pen and brown ink and brush and brown wash and white gouache; framing lines in pen and black inkSheet: 19.1 x 12.6 cm (7 1/2 x 4 15/16 in.); Secondary Support: 20 x 13 cm (7 7/8 x 5 1/8 in.)John L. Severance FundCCCC0
Vaulted Staircase
Hubert Robert (French, 1733–1808)
1926.504pen and brown ink and brush and brown wash over graphite; framing lines in brown inkSheet: 44.1 x 28.2 cm (17 3/8 x 11 1/8 in.); Secondary Support: 52.9 x 38.7 cm (20 13/16 x 15 1/4 in.)Gift of Leonard C. Hanna, Jr.CCCC0
View of the Acqua Acetosa (recto); David and Goliath (verso)
Claude Lorrain (French, 1604–1682)
1928.15pen and brown ink and brush and brown wash over graphite, framing lines in brown inkSheet: 26 x 40.5 cm (10 1/4 x 15 15/16 in.)Gift of Mr. and Mrs. Edward B. GreeneCCCC0
Madonna Nursing the Christ Child
Bartolomé Esteban Murillo (Spanish, 1617–1682)
1968.66pen and brown ink and brush and brown wash over red and black chalk, with traces of white; framing lines in pen and brown inkSheet: 21.4 x 15.4 cm (8 7/16 x 6 1/16 in.); Secondary Support: 24.1 x 18.5 cm (9 1/2 x 7 5/16 in.)Mr. and Mrs. Charles G. Prasse CollectionCCCC0
Piazza San Marco, Venice
Francesco Guardi (Italian, 1712–1793)
1951.83pen and brown ink, brush and brown wash, with brush and gray wash (possibly chalk) and traces of black chalk, framing lines in brown and black inkSheet: 31.3 x 46.5 cm (12 5/16 x 18 5/16 in.)John L. Severance FundCCCC0
The Disrobing of Christ
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1999.5pen and brown and black ink, brush and black, brown, and red-brown wash, over black chalk; framing lines in pen and brown inkSheet: 47.9 x 38.2 cm (18 7/8 x 15 1/16 in.); Image: 46.1 x 36.2 cm (18 1/8 x 14 1/4 in.)Purchase from the J. H. Wade FundCCCC0
Allegory of Christian Belief
Johann Liss (German, c. 1597–1631)
1953.6pen and brown ink and brush and brown wash; framing lines in pen and black inkSheet: 15.3 x 9.4 cm (6 x 3 11/16 in.)Dudley P. Allen FundCCCC0
Poros Assailed by the Macedonian Army (recto); Sketches of Animals (verso)
Perino del Vaga (Italian, 1501–1547)
1992.3pen and brown ink (iron gall) and brush and brown wash; framing lines in gold paintSheet: 19.3 x 27.4 cm (7 5/8 x 10 13/16 in.); Secondary Support: 22.5 x 30.5 cm (8 7/8 x 12 in.)Delia E. Holden and L. E. Holden FundsCCCC0
Aeneas Saving Anchises at the Fall of Troy
Federico Barocci (Italian, 1528–1612)
1960.26Pen and brown ink, brush and brown wash and yellow gouache heightened with traces of white, over black chalk, with stylus (banister); framing lines in pen and brown inkSheet: 27.7 x 42.6 cm (10 7/8 x 16 3/4 in.)L. E. Holden FundCCCC0
The Idolatry of Solomon
Pietro da Cortona (Italian, 1596–1669)
1987.142Pen and brown ink, point of brush and black ink, brush and brown wash, and white and blue gouache, framing lines in brown inkSheet: 24.8 x 43.3 cm (9 3/4 x 17 1/16 in.); Secondary Support: 25.5 x 44.1 cm (10 1/16 x 17 3/8 in.)John L. Severance FundCCCC0
The Woman with a Tambourine
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1947.12pen and brown ink and brush and brown wash, over black chalk; framing lines in pen and brown ink over graphiteSheet: 35.4 x 47.3 cm (13 15/16 x 18 5/8 in.); Image: 29.7 x 41.7 cm (11 11/16 x 16 7/16 in.)Dudley P. Allen FundCCCC0
Flight into Egypt: The Embarkment of the Holy Family
Giovanni Battista Tiepolo (Italian, 1696–1770)
1929.443pen and brown ink and brush and brown wash over black chalk; framing lines in black chalkSheet: 30 x 44.7 cm (11 13/16 x 17 5/8 in.)Purchase from the J. H. Wade FundCCCC0
Eighteen Views of Rome: The Piazza Farnese (recto); Cartouche (verso)
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.257pen and brown ink and brush and gray and blue wash over graphite; squared in graphite (two figures in the foreground); framing lines in brown inkSheet: 38.7 x 49 cm (15 1/4 x 19 5/16 in.)Dudley P. Allen FundCCCC0
The Trial
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1937.569pen and brown ink and brush and brown wash, with black chalk; framing lines in brown ink over graphiteSheet: 35 x 46.4 cm (13 3/4 x 18 1/4 in.); Image: 29.3 x 41.3 cm (11 9/16 x 16 1/4 in.)Purchase from the J. H. Wade FundCCCC0
Peasants with a Farm-cart
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1937.568pen and brown ink and brush and brown wash over black chalk; framing lines in brown ink over black chalkSheet: 28.6 x 41.3 cm (11 1/4 x 16 1/4 in.)Purchase from the J. H. Wade FundCCCC0
Scene in a Park
Jean-Honoré Fragonard (French, 1732–1806)
1925.1006pen and brown and gray ink, brush and brown and gray wash, and traces of yellow watercolor over black chalk; framing lines in black inkSheet: 19.2 x 25 cm (7 9/16 x 9 13/16 in.); Secondary Support: 19.2 x 25 cm (7 9/16 x 9 13/16 in.)Dudley P. Allen FundCCCC0
Eighteen Views of Rome: The Campidoglio
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.264pen and brown ink and brush and gray wash over graphite; framing lines in brown inkSheet: 38.6 x 49.5 cm (15 3/16 x 19 1/2 in.)Dudley P. Allen FundCCCC0
Figures on a Winding Road
Salvator Rosa (Italian, 1615–1673)
1975.17Pen and brown ink and brush and gray and brown wash, traces of framing lines in brown inkSheet: 18.4 x 12.5 cm (7 1/4 x 4 15/16 in.)Dudley P. Allen FundCCCC0
View of Ancient Buildings
Jacob van der Ulft (Dutch, 1627–1689)
1929.546pen and brown ink and brush and brown wash over traces of graphite; framing lines in brown ink (iron gall)Sheet: 15 x 23.2 cm (5 7/8 x 9 1/8 in.)Dudley P. Allen FundCCCC0
Punchinello Arrested
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1937.570pen and brown ink and brush and brown wash, with black chalk; framing lines in brown ink over graphiteSheet: 35.1 x 46.7 cm (13 13/16 x 18 3/8 in.); Image: 29.3 x 41.3 cm (11 9/16 x 16 1/4 in.)Purchase from the J. H. Wade FundCCCC0
The Cattle Vendor
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1937.574pen and brown ink and brush and brown wash, over black chalk; framing lines in brown ink and graphiteSheet: 35.4 x 47.3 cm (13 15/16 x 18 5/8 in.); Image: 29.5 x 41.7 cm (11 5/8 x 16 7/16 in.)Purchase from the J. H. Wade FundCCCC0
View of Orléans from the Loire
Lambert Doomer (Dutch, 1623–1700)
1966.4pen and brown ink and brush and gray and brown wash; framing lines in brown inkSheet: 23.8 x 41.2 cm (9 3/8 x 16 1/4 in.)Delia E. Holden FundCCCC0
The Game of Bowls
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1937.571pen and brown ink and brush and brown wash, over traces of black chalk; framing lines in brown ink over graphiteSheet: 35.5 x 47.3 cm (14 x 18 5/8 in.); Image: 29.7 x 41.6 cm (11 11/16 x 16 3/8 in.)Purchase from the J. H. Wade FundCCCC0
Eighteen Views of Rome: The Piazza Colonna
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.258pen and brown ink and brush and gray and blue wash over stylus and graphite; framing lines in brown inkSheet: 39.3 x 50 cm (15 1/2 x 19 11/16 in.)Dudley P. Allen FundCCCC0
Sacrificial Offering in a Temple
Giovanni Battista Piranesi (Italian, 1720–1778)
1953.259pen and brown ink and brush and brown and gray wash; framing lines in brown inkSheet: 14.3 x 9.1 cm (5 5/8 x 3 9/16 in.); Secondary Support: 15.3 x 10.4 cm (6 x 4 1/8 in.)Dudley P. Allen FundCCCC0
Architectural Conference
Italy, 17th century
1954.713pen and brown ink and brush and brown wash with graphite; framing lines in brown inkSheet: 45.3 x 35.2 cm (17 13/16 x 13 7/8 in.); Image: 44.2 x 34.1 cm (17 3/8 x 13 7/16 in.)Dudley P. Allen FundCCCC0
The Conversion of Saul with Horseman and Banner
Jacob Jordaens (Flemish, 1593–1678)
1954.366Black and red chalk, pen and black and gray ink, brush and brown wash, watercolor, and gouache, heightened with white gouache; framing lines in red chalk and graphite (right edge)Sheet: 32.9 x 19.9 cm (12 15/16 x 7 13/16 in.)Delia E. Holden and L. E. Holden FundsCCCC0
Gathering Wood
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1937.572pen and brown ink and brush and brown wash over black chalk; framing lines in brown ink and graphiteSheet: 35.1 x 47 cm (13 13/16 x 18 1/2 in.); Image: 29.4 x 41.5 cm (11 9/16 x 16 5/16 in.)Purchase from the J. H. Wade FundCCCC0
The Tric-Trac Players
Philips de Koninck (Dutch, 1619–1688)
1958.373reed pen and brown ink (with brush and brown wash behind left figure); framing lines in brown inkSheet: 18.8 x 16.7 cm (7 3/8 x 6 9/16 in.)Gift of Dr. Sherman E. Lee in memory of his father, Emery H. I. LeeCCCC0
Figures by a Rocky Pool
Salvator Rosa (Italian, 1615–1673)
1975.16pen and brown ink and brush and gray and brown wash; traces of framing lines in brown ink Sheet: 18.3 x 12.5 cm (7 3/16 x 4 15/16 in.)Dudley P. Allen FundCCCC0
Victorious Soldiers with Trophy
Pellegrino Tibaldi (Italian, 1527–1596)
1954.689pen and brown ink and brush and brown wash; framing lines in brown inkSheet: 13.7 x 20.2 cm (5 3/8 x 7 15/16 in.); Secondary Support: 13.7 x 20.2 cm (5 3/8 x 7 15/16 in.); Tertiary Support: 21.8 x 27.7 cm (8 9/16 x 10 7/8 in.)The Norweb CollectionCCCC0
Monumental Vaulted Hall with Staircase
Giuseppe Galli Bibiena (Italian, 1696–1757)
1962.114pen and brown ink and brush and gray wash, with brush and brown wash and traces of yellow gouache; framing lines in brown inkSheet: 31.6 x 45 cm (12 7/16 x 17 11/16 in.); Image: 31 x 44.4 cm (12 3/16 x 17 1/2 in.)Delia E. Holden FundCCCC0
Reconciliation of the Romans and the Sabines (recto) Venus Disarming...
Peter Paul Rubens (Flemish, 1577–1640)
1970.37pen and brown ink and brush and gray and brown wash; framing lines in brown inkSheet: 19.9 x 49.2 cm (7 13/16 x 19 3/8 in.)Purchase from the J. H. Wade FundCCCC0
Cupid Blindfolded and Two Doves
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1941.604pen and brown ink and brush and brown wash; framing lines in brown inkSheet: 18.9 x 25.4 cm (7 7/16 x 10 in.)Gift of Robert Hays GriesCCCC0
Christ Triumphant Appearing to an Interceding Saint
Italy, Bologna
1954.695pen and brown ink and brush and brown wash; framing lines in brown inkSheet: 38 x 25.8 cm (14 15/16 x 10 3/16 in.); Image: 37.2 x 25 cm (14 5/8 x 9 13/16 in.); Secondary Support: 38.6 x 26.6 cm (15 3/16 x 10 1/2 in.)The Norweb CollectionCCCC0
The Stag Hunt
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1981.36pen and brown ink and brush and brown wash, with black chalk; framing lines in brown ink and graphiteSheet: 35.7 x 47.1 cm (14 1/16 x 18 9/16 in.); Image: 29.7 x 41.4 cm (11 11/16 x 16 5/16 in.)Gift in memory of Paul Wick from his familyCCCC0
A View of Spa
Jan Brueghel (Flemish, 1568–1625)
1979.26pen and brown ink and brush and brown and gray wash, with blue and green watercolor and red chalk wash; framing lines in pen and brown inkSheet: 20.5 x 14.8 cm (8 1/16 x 5 13/16 in.)Andrew R. and Martha Holden Jennings FundCCCC0
Elevation for Wall Decoration
Italy, 16th century
1927.363pen and brown ink (ruled in places) and brush and brown wash with graphite and graphite wash; framing lines in brown ink and graphiteSheet: 35.5 x 22.8 cm (14 x 9 in.); Image: 35.3 x 22.5 cm (13 7/8 x 8 7/8 in.)Gift of The Print Club of ClevelandCCCC0
Ponte San Rocco at Tivoli
Willem van Niewlandt (Flemish, 1584–1635/6)
1954.560pen and brown ink and brush and blue and brown wash over traces of black chalk; framing lines in brown ink Sheet: 38.1 x 27.6 cm (15 x 10 7/8 in.)John L. Severance FundCCCC0
Eighteen Views of Rome: The Quattro Fontane Looking Toward Santa Maria...
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.274pen and brown ink and brush and gray wash over graphite; framing lines in brown inkSheet: 38.6 x 48.7 cm (15 3/16 x 19 3/16 in.); Framed: 61.7 x 76.8 x 2.6 cm (24 5/16 x 30 1/4 x 1 in.)Dudley P. Allen FundCCCC0
Sheep and Cows
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1947.13pen and brown ink and brush and brown wash, over black chalk; framing lines in brown ink and graphiteSheet: 35.8 x 47.3 cm (14 1/8 x 18 5/8 in.); Image: 29.5 x 41.5 cm (11 5/8 x 16 5/16 in.)Dudley P. Allen FundCCCC0
Jacopo Marcello Directing the Assault of Gallipoli
Antonio Guardi (Italian, 1699–1760)
1953.135pen and brown ink and brush and brown wash, over black chalk; framing lines in brown inkSheet: 53.6 x 77 cm (21 1/8 x 30 5/16 in.); Image: 50.9 x 75 cm (20 1/16 x 29 1/2 in.)Dudley P. Allen FundCCCC0
Landscape with Tower at Seashore
Filippo Napoletano (Italian, c. 1587-c. 1629)
1954.674pen and brown ink and brush and brown and gray wash over traces of graphite; framing lines in graphiteSheet: 19 x 30.2 cm (7 1/2 x 11 7/8 in.)The Norweb CollectionCCCC0
A Rocky Cove with Fishing Boats
Allart van Everdingen (Dutch, 1621–1675)
1980.70pen and brown and black ink and brush and gray and black wash; framing lines in brown inkSheet: 13.4 x 17.2 cm (5 1/4 x 6 3/4 in.); Image: 11.2 x 15.4 cm (4 7/16 x 6 1/16 in.)Delia E. Holden FundCCCC0
Death on Horseback Chasing a Flying Knight
Sebastian Vrancx (Flemish, 1573–1647)
1980.19pen and brown ink and brush and brown wash, over traces of graphite; framing lines in brown ink (bottom edge)Sheet: 20.1 x 26 cm (7 15/16 x 10 1/4 in.)Dudley P. Allen FundCCCC0
A Faun Grasping a Bunch of Grapes
Peter Paul Rubens (Flemish, 1577–1640)
1943.341black chalk and brush and brown wash; framing lines in pen and black inkSheet: 37.8 x 26.2 cm (14 7/8 x 10 5/16 in.)Purchase from the J. H. Wade FundCCCC0
Boar Hunt
Abraham Hondius (Dutch, c. 1625–1695)
1960.157pen and black ink and brush and black and gray wash heightened with lead white (partially oxidized); framing lines in black and brown inkSheet: 41.9 x 52.5 cm (16 1/2 x 20 11/16 in.); Secondary Support: 41.9 x 52.5 cm (16 1/2 x 20 11/16 in.)Delia E. Holden FundCCCC0
Flagellation of Christ
Gaspare Diziani (Italian, 1689–1767)
1960.179pen and black ink, black chalk, and brush and gray wash, with brush and brown wash; squared in graphite, framing lines in black chalk and black inkSheet: 20 x 27.1 cm (7 7/8 x 10 11/16 in.); Image: 19.5 x 26.1 cm (7 11/16 x 10 1/4 in.)James Parmelee FundCCCC0
The Judgment of Paris
Carletto Caliari (Italian, 1570–1596)
1946.216pen and brown ink and brush and brown wash, with brush and gray wash, over black chalk, heightened with white gouache; framing lines in green ink and red chalk (bottom)Sheet: 39.2 x 51.1 cm (15 7/16 x 20 1/8 in.); Secondary Support: 39.2 x 51.1 cm (15 7/16 x 20 1/8 in.)Dudley P. Allen FundCCCC0
A Barnyard with Goats and a Goatherd
Abraham Bloemaert (Dutch, 1564–1651)
1980.49pen and brown ink, brush and brown wash over black chalk, heightened with white gouache; framing lines in brown inkSheet: 9.2 x 15.3 cm (3 5/8 x 6 in.)Dudley P. Allen FundCCCC0
View of Alkmaar with Boats
Netherlands
1929.538point of brush and gray ink and brush and gray wash with traces of pen and black ink over traces of graphite; framing lines in brown inkSheet: 13.8 x 20.4 cm (5 7/16 x 8 1/16 in.)Dudley P. Allen FundCCCC0
View of Dordrecht from the River
Jacob van Strij (Dutch, 1756–1815)
1961.79pen and black and brown ink and brush and black, gray, brown and blue wash, over black chalk; framing lines in brown inkSheet: 20.5 x 36.5 cm (8 1/16 x 14 3/8 in.); Secondary Support: 20.5 x 33.2 cm (8 1/16 x 13 1/16 in.)Delia E. Holden FundCCCC0
Pillaging Soldiers
Dirk Langendijk (Dutch, 1748–1805)
1969.298pen and brown ink and brush and gray and black wash; framing lines in brown inkSheet: 23.8 x 33.3 cm (9 3/8 x 13 1/8 in.)Delia E. Holden FundCCCC0
Landscape with Shepherds
Domenico I Piola (Italian, 1627–1703)
1939.664pen and brown ink and brush and brown wash over traces of black chalk; framing lines in brown inkSheet: 35.7 x 47.8 cm (14 1/16 x 18 13/16 in.); Secondary Support: 35.7 x 47.8 cm (14 1/16 x 18 13/16 in.)Gift of Robert Hays GriesCCCC0
Ceres
Lelio Orsi (Italian, 1511–1587)
1939.655pen and brown ink and brush and brown wash; incised, squared in black chalk, framing lines in graphite (left and bottom)Sheet: 25.6 x 18.7 cm (10 1/16 x 7 3/8 in.); Secondary Support: 29.3 x 22 cm (11 9/16 x 8 11/16 in.)Gift of Robert Hays GriesCCCC0
Eighteen Views of Rome: The Ponte Rotto
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.269pen and brown ink and brush and gray wash over graphite; framing lines in brown inkSheet: 48.7 x 39 cm (19 3/16 x 15 3/8 in.)Dudley P. Allen FundCCCC0
Head of a Man
Annibale Carracci (Italian, c. 1560–1609)
1954.690pen and brown ink (iron gall?) and brush and brown wash; framing lines in graphiteSheet: 9.8 x 8 cm (3 7/8 x 3 1/8 in.)The Norweb CollectionCCCC0
Illustration from Torquato Tasso's Gerusalemme Liberata
Bernardo Castello (Italian, 1557–1629)
1954.692pen and brown ink and brush and brown wash with traces of graphite; framing lines in brown inkSheet: 21.3 x 20.5 cm (8 3/8 x 8 1/16 in.); Secondary Support: 21.3 x 20.5 cm (8 3/8 x 8 1/16 in.)The Norweb CollectionCCCC0
Copy after Primaticcio's Juno Awakening Sleep
Francesco Primaticcio (Italian, 1504–1570)
1929.537pen and black ink (with point of brush?) and brush and red-brown wash (red chalk wash?), heightened with lead white (partially oxidized); framing lines in brown ink with traces of gold paintSheet: 22.3 x 33.5 cm (8 3/4 x 13 3/16 in.); Secondary Support: 33.5 x 45.7 cm (13 3/16 x 18 in.)Dudley P. Allen FundCCCC0
Eighteen Views of Rome: The Quattro Fontane Looking Toward Monte Cavallo
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.273pen and brown ink and brush and gray wash over graphite; framing lines in brown inkSheet: 38.7 x 48.7 cm (15 1/4 x 19 3/16 in.); Framed: 61.7 x 76.8 x 2.6 cm (24 5/16 x 30 1/4 x 1 in.)Dudley P. Allen FundCCCC0
Eighteen Views of Rome: The Church of the Gesù
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.271pen and brown ink and brush and gray wash over graphite; framing lines in brown inkSheet: 38.8 x 48.7 cm (15 1/4 x 19 3/16 in.)Dudley P. Allen FundCCCC0
Landscape
Anonymous and 1 other
1962.21pen and brown ink and brush and gray and brown wash over graphite; framing lines in brown ink (left edge and bottom) and graphite (upper edge)Sheet: 24.1 x 18.2 cm (9 1/2 x 7 3/16 in.)Delia E. Holden FundCCCC0
Allegory
Charles Abraham Chasselat (French, 1782–1843)
1982.366pen and black ink and brush and brown wash, heightened with white gouache; framing lines in black inkSheet: 15.3 x 9.7 cm (6 x 3 13/16 in.); Image: 14.3 x 9.1 cm (5 5/8 x 3 9/16 in.)Gift of Henry H. HawleyCCCC0
Eighteen Views of Rome: The Castel Sant'Angelo
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.268pen and brown ink and brush and gray wash over graphite; squared in graphite; framing lines in brown inkSheet: 38.4 x 48.8 cm (15 1/8 x 19 3/16 in.)Dudley P. Allen FundCCCC0
Design for a Ceiling: Mars and Aries
Italy, 18th century
1927.337pen and brown ink and brush and brown wash and watercolor, with gouache, over traces of graphite; framing lines in brown inkSheet: 24.9 x 24.7 cm (9 13/16 x 9 3/4 in.); Secondary Support: 45.1 x 33.9 cm (17 3/4 x 13 3/8 in.)Gift of The Print Club of ClevelandCCCC0
Eighteen Views of Rome: Santa Maria in Via Lata
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.263pen and brown ink and brush and gray wash over graphite; framing lines in brown inkSheet: 38.8 x 49 cm (15 1/4 x 19 5/16 in.)Dudley P. Allen FundCCCC0
Copy of Raphael's Massacre of the Innocents
Raphael (Italian, 1483–1520)
1988.28pen and brown ink (iron gall) and brush and brown wash, heightened with traces of lead white(?) (oxidized); framing lines in brown inkSheet: 22.8 x 30.1 cm (9 x 11 7/8 in.); Secondary Support: 23.9 x 30.5 cm (9 7/16 x 12 in.)John L. Severance FundCCCC0
Eighteen Views of Rome: The Church of Sant'Ignazio
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.266pen and brown ink and brush and gray wash over graphite; framing lines in brown inkSheet: 38.4 x 49.4 cm (15 1/8 x 19 7/16 in.)Dudley P. Allen FundCCCC0
Bacchanal
Pietro da Cortona (Italian, 1596–1669)
1954.688pen and brown ink and brush and brown wash over black chalk, heightened with white gouache; incised, framing lines in brown ink over traces of black chalkSheet: 26.3 x 43.5 cm (10 3/8 x 17 1/8 in.); Image: 25.4 x 42.7 cm (10 x 16 13/16 in.); Secondary Support: 26.3 x 43.5 cm (10 3/8 x 17 1/8 in.)The Norweb CollectionCCCC0
Eighteen Views of Rome: The Church of Santa Maria in Vallicella
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.267pen and brown ink and brush and gray wash over graphite; framing lines in brown inkSheet: 38.8 x 49.1 cm (15 1/4 x 19 5/16 in.)Dudley P. Allen FundCCCC0
The Baptism of Christ
Cesare Pollini (Italian, c. 1560-c. 1630)
1988.80pen and brown ink and brush and brown wash and red chalk; traces of framing lines in black chalkSheet: 11.5 x 19.6 cm (4 1/2 x 7 11/16 in.); Secondary Support: 11.5 x 19.6 cm (4 1/2 x 7 11/16 in.)John L. Severance FundCCCC0
Eighteen Views of Rome: The Campo Vaccino (The Roman Forum)
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.270pen and brown ink and brush and gray wash over stylus and graphite; framing lines in brown inkSheet: 38.8 x 50.7 cm (15 1/4 x 19 15/16 in.)Dudley P. Allen FundCCCC0
Maternal Solicitude
Jean Baptiste Le Prince (French, 1734–1781)
1953.609pen and black ink and brush and brown wash over graphite, with traces of white gouache; framing lines in black inkSheet: 13.3 x 18.3 cm (5 1/4 x 7 3/16 in.); Secondary Support: 20 x 25.2 cm (7 7/8 x 9 15/16 in.)Gift of William Mathewson Milliken, in memory of H. Oothout MillikenCCCC0
Rocky Landscape with a Cave Chapel
Johann Martin von Rohoden (Flemish, 1778–1868)
1977.159pen and brown ink and brush and brown and purple wash; framing lines in brown ink (left side and top)Sheet: 32.5 x 26.3 cm (12 13/16 x 10 3/8 in.); Secondary Support: 32.8 x 26.3 cm (12 15/16 x 10 3/8 in.)Gift of Margery Irish and Thomas Irish in memory of V. Browne IrishCCCC0
Ships at Sea
Ludolf Backhuysen (Dutch, 1631–1708)
1954.702pen and brown ink and brush and gray and brown wash, with brush and grey ink; framing lines in brown ink Sheet: 12.3 x 17.1 cm (4 13/16 x 6 3/4 in.)The Norweb CollectionCCCC0
Eighteen Views of Rome: The Trevi Fountain
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.272pen and brown ink and brush and gray wash over graphite; framing lines in brown inkSheet: 38.6 x 48.8 cm (15 3/16 x 19 3/16 in.)Dudley P. Allen FundCCCC0
Three Scenes from the Passion of Christ (recto) Architectural Sketch ...
Northern Italy, 16th century
1954.698pen and brown ink and brush and brown wash over traces of black chalk; framing line (left edge) in brown inkSheet: 26.9 x 14.4 cm (10 9/16 x 5 11/16 in.)The Norweb CollectionCCCC0
The Poultry Woman
Hendrik Meijer (Dutch, 1737–1793)
1937.467pen and brown ink and brush and brown wash over black chalk; framing lines in black inkSheet: 15.8 x 13.1 cm (6 1/4 x 5 3/16 in.)Gift of Mrs. Benjamin P. BoleCCCC0
Eighteen Views of Rome: The Piazza del Popolo (recto); Sketch for San...
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.261pen and brown ink and brush and gray wash over stylus and graphite; framing lines in brown inkSheet: 38.9 x 49.6 cm (15 5/16 x 19 1/2 in.)Dudley P. Allen FundCCCC0
The Fish Monger
Hendrik Meijer (Dutch, 1737–1793)
1937.468pen and brown ink and brush and brown wash over black chalk; framing lines in black inkSheet: 15.7 x 13 cm (6 3/16 x 5 1/8 in.)Gift of Mrs. Benjamin P. BoleCCCC0
Design for a Monstrance
Anonymous
1971.33pen and brown ink (ruled in places) and brush and brown wash, with graphite, traces of brush and gray and pink wash, and stylus; framing lines in graphiteSheet: 76.6 x 43 cm (30 3/16 x 16 15/16 in.)Delia E. Holden FundCCCC0
God the Father with Angels and Cherubs
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1991.324pen and brown ink and brush and brown wash over black chalk; traces of framing lines in silver paint Sheet: 28.1 x 19.8 cm (11 1/16 x 7 13/16 in.); Secondary Support: 34.4 x 25.2 cm (13 9/16 x 9 15/16 in.)Gift of Mrs. A. Dean PerryCCCC0
Eighteen Views of Rome: The Basilica of Santa Maria Maggiore
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.259pen and brown ink and brush and gray wash over stylus and graphite; framing lines in brown inkSheet: 38.4 x 49.4 cm (15 1/8 x 19 7/16 in.)Dudley P. Allen FundCCCC0
Bust of Diana with Putti and Hunting Attributes
Jacob de Wit (Dutch, 1695–1754)
1979.124pen and brown ink and brush and brown wash over black chalk, heightened with white; framing lines in black and brown ink over graphiteSheet: 29.2 x 15.3 cm (11 1/2 x 6 in.)Gift of Steve AlbertCCCC0
Ascension of Saint Jerome
Karel Skréta (Czech, 1610–1674)
1954.691pen and brown ink, graphite and brush and brown wash; framing lines in black inkSheet: 27.9 x 16.7 cm (11 x 6 9/16 in.)The Norweb CollectionCCCC0
Eighteen Views of Rome: The Collegio di Propaganda Fide (recto);...
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.262pen and brown ink and brush and gray wash over graphite; framing lines in brown inkSheet: 38.9 x 48.9 cm (15 5/16 x 19 1/4 in.)Dudley P. Allen FundCCCC0
God the Father with Symbol of the Trinity
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1991.325pen and brown ink and brush and brown wash over traces of black chalk; traces of framing lines in silver paintSheet: 28.1 x 19.8 cm (11 1/16 x 7 13/16 in.); Secondary Support: 30.8 x 23.1 cm (12 1/8 x 9 1/8 in.)Gift of Mrs. A. Dean PerryCCCC0
Eighteen Views of Rome: The Quirinale
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.260pen and brown ink and brush and gray wash over graphite; framing lines in brown inkSheet: 38.7 x 48.9 cm (15 1/4 x 19 1/4 in.)Dudley P. Allen FundCCCC0
Roman Subject
Philibert Benoît Delarue (French, 1718–1780)
1939.656pen and black ink and brush and brown wash over black chalk, heightened with white gouache; framing lines in brown inkSheet: 24.2 x 36.3 cm (9 1/2 x 14 5/16 in.); Secondary Support: 24.2 x 36.3 cm (9 1/2 x 14 5/16 in.)Gift of Robert Hays GriesCCCC0
Barrel-Vaulted Arcade Rendered in Perspective
Francesco Battaglioli (Italian, 1725–1796)
1954.687pen and brown ink and brush and blue-gray wash, over graphite (ruled in places); framing lines in brown inkSheet: 36 x 24.7 cm (14 3/16 x 9 3/4 in.); Image: 34.8 x 24 cm (13 11/16 x 9 7/16 in.)The Norweb CollectionCCCC0
Landscape with Horsemen
Flanders
1951.264pen and brown ink and brush and brown wash over traces of graphite; framing lines in black inkSheet: 15.2 x 20.2 cm (6 x 7 15/16 in.); Secondary Support: 25 x 32.5 cm (9 13/16 x 12 13/16 in.)Gift of Robert Hays GriesCCCC0
Frontispiece for an Album of Drawings: Peasants at a Fountain (recto);...
Dirk Langendijk (Dutch, 1748–1805)
1967.184pen and black ink and brush and brown and gray wash over graphite; framing lines in black inkSheet: 39.4 x 29.8 cm (15 1/2 x 11 3/4 in.)Gift of Rosenberg & Stiebel, Inc.CCCC0
Edge of Marsh at Couronne
Félix Ziem (French, 1821–1911)
1982.169pen and brown ink, black crayon and brush and gray wash; framing lines in black crayon; two figures in right margin in black crayon (top figure) and graphite (bottom figure)Sheet: 22.5 x 35.2 cm (8 7/8 x 13 7/8 in.); Image: 18.8 x 30.3 cm (7 3/8 x 11 15/16 in.)Gift of Rabbi and Mrs. Daniel J. Silver in honor of Dr. Sherman E. LeeCCCC0
Mythological Scene
Louis Cheron (French, 1660–1713)
1998.312pen and brown ink and brush and gray wash; framing lines in brown ink and gray washSheet: 11.1 x 7.6 cm (4 3/8 x 3 in.); Secondary Support: 17.2 x 13.6 cm (6 3/4 x 5 3/8 in.)Bequest of Gordon K. MottCCCC0
Chariot Drawn by Lions with Amorini (recto) Partial Architectural Study ...
Italy, 16th century
1954.693pen and brown ink and brush and brown wash over black chalk; framing lines in brown inkSheet: 9 x 42.4 cm (3 9/16 x 16 11/16 in.)The Norweb CollectionCCCC0
Pastoral Landscape with a Ruin
Jacob Cats (Dutch, 1741–1799)
1989.228watercolor, point of brush and watercolor, and pen and brown ink over black chalk; framing lines in brown ink and brown washSheet: 25.8 x 18 cm (10 3/16 x 7 1/16 in.); Secondary Support: 25.8 x 18 cm (10 3/16 x 7 1/16 in.)Bequest of Mrs. Severance A. MillikinCCCC0
Rocky Inlet with Boats and Buildings (recto); Sketches of Castles (verso)
Netherlands
1939.643pen and brown ink, point of brush and black and gray wash, and brush and gray wash over traces of graphite; framing lines in brown ink (iron gall)Sheet: 6.9 x 14.8 cm (2 11/16 x 5 13/16 in.)Gift of Robert Hays GriesCCCC0
Perseus and Minerva before a Temple
Jan Goeree (Dutch, 1670–1731)
1998.152pen and brown ink, brush and brown and gray wash, over traces of red chalk, heightened with white gouache; framing lines in brown inkSheet: 21.4 x 15.8 cm (8 7/16 x 6 1/4 in.); Secondary Support: 25.5 x 19.7 cm (10 1/16 x 7 3/4 in.)John L. Severance FundCCCC0
Eighteen Views of Rome: The Piazza Barberini (recto); Tracing of a...
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.265pen and brown ink and brush and gray wash with graphite; framing lines in brown ink and graphite (along bottom edge); sketch unrelated to main composition in graphite (upper right)Sheet: 38.3 x 49.7 cm (15 1/16 x 19 9/16 in.)Dudley P. Allen FundCCCC0