Popular searches:
Exhibitions:
Clear filters Help with search
Medium: Brown wash heightened with white (65)
Medium: Brown wash heightened with white (65)
The Conversion of Saul with Christ and the Cross
Jacob Jordaens (Flemish, 1593–1678)
1954.367CCCC0
The Presentation in the Temple
François Boucher (French, 1703–1770)
1925.1005CCCC0
The Meeting of Orestes and Hermione
Anne-Louis Girodet de Roucy-Trioson (French, 1767–1824)
1989.101CCCC0
Valmy and Léa
Jean Béraud (French, 1849–1935)
2008.407CCCC0
Aeneas Saving Anchises at the Fall of Troy
Federico Barocci (Italian, 1528–1612)
1960.26CCCC0
Saint Deicolus and the Boar
Johann Wolfgang Baumgartner (German, 1712–1761)
1967.22CCCC0
Wild Sow and Her Young Attacked by Dogs
Jean-Baptiste Oudry (French, 1686–1755)
1997.191CCCC0
Landscape with Castle and Shepherds
Achille Etna Michallon (French, 1796–1822)
1994.112CCCC0
Man Entwined by Two Snakes
Giovanni Antonio da Pordenone (Italian, 1483/84–1539)
1944.475CCCC0
The Bath
Félix Bracquemond (French, 1833–1914)
1980.240CCCC0
Man in Armor beside a Chariot
Francesco Salviati (Italian, 1510–1563)
1964.99CCCC0
Shepherdess
Winslow Homer (American, 1836–1910)
1924.489CCCC0
The Conversion of Saul with Horseman and Banner
Jacob Jordaens (Flemish, 1593–1678)
1954.366CCCC0
Horses on a Cliff
Clifton G. Newell (American, b. 1899)
1931.209©
The Risen Christ Adored by Saints and Angels
Giorgio Vasari (Italian, 1511–1574)
1991.43CCCC0
Landscape with Bridge
Marco Ricci (Italian, 1676–1729)
1961.168CCCC0
A View from Bald Mountain, Orange County, N. Y.
Jasper F. Cropsey (American, 1823–1900)
1933.401CCCC0
The Relics
Jean-Jacques Grandville (French, 1803–1847)
2018.1065CCCC0
Apollo with Erato and Cupid
Johann Kellerthaler (German, c 1560/2–1611)
2012.98CCCC0
A Blasted Tree (recto) Floorplan (verso)
Jasper F. Cropsey (American, 1823–1900)
1979.91CCCC0
A Blasted Tree (recto)
Jasper F. Cropsey (American, 1823–1900)
1979.91.aCCCC0
Saddled Arabian Horse in Courtyard
Carle Vernet (French, 1758–1836)
2008.398CCCC0
Virgin and Child with St. Catherine of Alexandria and Saint Anne (?)
Battista Franco (Italian, c. 1510–1561)
1965.16CCCC0
The Last Communion of St. Jerome
Giovanni Battista Tiepolo (Italian, 1696–1770)
1950.449CCCC0
The Fox and the Turkey Hens: Illustration for the Fables of La Fontaine
Jean-Baptiste Oudry (French, 1686–1755)
1977.93CCCC0
Copy after Giulio Romano's Fall of Icarus
Giulio Romano (Italian, 1492/99–1546)
1992.90CCCC0
St. Jerome in His Study
Filippino Lippi (Italian, 1457–1504)
1924.532CCCC0
Sheep
Rosa Bonheur (French, 1822–1899)
1915.716CCCC0
Winter Night in a Dutch Town
Jacob Cats (Dutch, 1741–1799)
1965.76CCCC0
The Nativity with the Dream of Joseph
Parmigianino (Italian, 1503–1540)
1924.1003CCCC0
The Flight into Egypt
Gregorio Pagani (Italian, 1558–1605)
2015.67CCCC0
Saint Christopher
Andrea Mantegna (Italian, 1431–1506)
1956.39CCCC0
The Apotheosis of Romulus: Design for a Ceiling
Domenico Maria Canuti (Italian, 1625–1684)
2017.104CCCC0
Head of a Young Man
Filippino Lippi (Italian, 1457–1504)
1968.19CCCC0
The Flaying of Marsyas
Jan van der Straet, called Johannes Stradanus (Netherlandish, active Italy, 1523–1605)
2018.26CCCC0
François I Brandishing a Sword
Alexandre-Evariste Fragonard (French, 1781–1850)
2019.254CCCC0
Copy of Tintoretto's Children of Israel Gathering Manna
Jacopo Tintoretto (Italian, 1518–1594)
1929.534CCCC0
Musical Scene
Gerrit van Honthorst (Dutch, 1590–1656)
2019.6CCCC0
Lobster (recto)
Anonymous
1956.607.aCCCC0
Boar Hunt
Abraham Hondius (Dutch, c. 1625–1695)
1960.157CCCC0
Assumption of the Virgin
Italy, 17th century
1954.683CCCC0
The Judgment of Paris
Carletto Caliari (Italian, 1570–1596)
1946.216CCCC0
Copy after Primaticcio's Juno Awakening Sleep
Francesco Primaticcio (Italian, 1504–1570)
1929.537CCCC0
A Barnyard with Goats and a Goatherd
Abraham Bloemaert (Dutch, 1564–1651)
1980.49CCCC0
Album with Views of Rome and Surroundings, Landscape Studies, page 15a:...
Franz Johann Heinrich Nadorp (German, 1794–1876)
1989.13.qCCCC0
Album with Views of Rome and Surroundings, Landscape Studies, page 19a:...
Franz Johann Heinrich Nadorp (German, 1794–1876)
1989.13.wCCCC0
View Near Tivoli (Vue prise à Tivoli)
Jean Achille Benouville (French, 1815–1891)
2010.240CCCC0
Allegory
Charles Abraham Chasselat (French, 1782–1843)
1982.366CCCC0
Noli Me Tangere
Anonymous
1987.46CCCC0
Bacchanal
Pietro da Cortona (Italian, 1596–1669)
1954.688CCCC0
Copy of Raphael's Massacre of the Innocents
Raphael (Italian, 1483–1520)
1988.28CCCC0
Ruth and Boaz (recto)
Italy, 17th century
1954.684.aCCCC0
Allegorical Figure (recto)
Anonymous
1968.68.aCCCC0
Roman Subject
Philibert Benoît Delarue (French, 1718–1780)
1939.656CCCC0
Small Group of Roman Ruins (verso)
Italy, 17th century
1955.159.bCCCC0
The Agony in the Garden
Santi di Tito (Italian, 1536–1602)
2015.14CCCC0
Madame de Maintenon Returning to the Catholic Church [2]
Charles Dominique Joseph Eisen (French, 1720–1778)
2010.288CCCC0
Madame de Maintenon Returning to the Catholic Church [1]
Charles Dominique Joseph Eisen (French, 1720–1778)
2010.292CCCC0
Portrait of Marie-Louise, Duchess of Parma
François Gérard (French, 1770–1837)
2009.113CCCC0
Perseus and Minerva before a Temple
Jan Goeree (Dutch, 1670–1731)
1998.152CCCC0
Head of a Young Girl
Alexandre Hesse (French, 1806–1879)
2009.306CCCC0
Descent from the Cross
Anonymous
1993.223CCCC0
Title, DateArtist / CultureAccession numberMediumDimensionsCredit lineRights
The Conversion of Saul with Christ and the Cross
Jacob Jordaens (Flemish, 1593–1678)
1954.367brush and brown wash, gouache and watercolor over black and red chalk, heightened with traces of white; framing lines in graphiteSheet: 33 x 19.9 cm (13 x 7 13/16 in.)Delia E. Holden and L. E. Holden FundsCCCC0
The Presentation in the Temple
François Boucher (French, 1703–1770)
1925.1005pen and brown ink, brush and brown wash, and black chalk, heightened with white paint; framing lines in pen and brown inkSheet: 32.3 x 20 cm (12 11/16 x 7 7/8 in.); Framed: 66 x 50.9 x 6.4 cm (26 x 20 1/16 x 2 1/2 in.)Gift of Leonard C. Hanna, Jr.CCCC0
The Meeting of Orestes and Hermione
Anne-Louis Girodet de Roucy-Trioson (French, 1767–1824)
1989.101pen and brown and black ink, point of brush and brown and gray wash, with black chalk and graphite, heightened with white gouache, on cream wove paperSheet: 28.5 x 21.8 cm (11 1/4 x 8 9/16 in.)Leonard C. Hanna, Jr. FundCCCC0
Valmy and Léa
Jean Béraud (French, 1849–1935)
2008.407brush and brown wash, heightened with white gouache, over graphiteSheet: 36 x 51.7 cm (14 3/16 x 20 3/8 in.)Bequest of Muriel ButkinCCCC0
Aeneas Saving Anchises at the Fall of Troy
Federico Barocci (Italian, 1528–1612)
1960.26Pen and brown ink, brush and brown wash and yellow gouache heightened with traces of white, over black chalk, with stylus (banister); framing lines in pen and brown inkSheet: 27.7 x 42.6 cm (10 7/8 x 16 3/4 in.)L. E. Holden FundCCCC0
Saint Deicolus and the Boar
Johann Wolfgang Baumgartner (German, 1712–1761)
1967.22pen and brown and gray ink and brush and gray wash heightened with white gouache; incised, verso coated with red chalkSheet: 52.2 x 73.5 cm (20 9/16 x 28 15/16 in.)Dudley P. Allen FundCCCC0
Wild Sow and Her Young Attacked by Dogs
Jean-Baptiste Oudry (French, 1686–1755)
1997.191Pen and brown and gray ink, brown and gray wash, heightened with white gouache on light brown laid paperSheet: 37.7 x 51.7 cm (14 13/16 x 20 3/8 in.)Andrew R. and Martha Holden Jennings FundCCCC0
Landscape with Castle and Shepherds
Achille Etna Michallon (French, 1796–1822)
1994.112brown ink and brown wash over graphite, heightened with white gouache Sheet: 18.8 x 27 cm (7 3/8 x 10 5/8 in.)Gift of Members of The Print Club of Cleveland in honor of the Club's seventy-fifth anniversaryCCCC0
Man Entwined by Two Snakes
Giovanni Antonio da Pordenone (Italian, 1483/84–1539)
1944.475pen and brown ink and brown and blue wash, heightened with white gouacheSheet: 19.2 x 11.7 cm (7 9/16 x 4 5/8 in.)Dudley P. Allen FundCCCC0
The Bath
Félix Bracquemond (French, 1833–1914)
1980.240brush and black and brown wash with pen and black ink, black chalk, and charcoal, heightened with white chalk, on brown wove paper laid on yellow-beige wove paperSheet: 59 x 44 cm (23 1/4 x 17 5/16 in.)Bequest of Noah L. ButkinCCCC0
Man in Armor beside a Chariot
Francesco Salviati (Italian, 1510–1563)
1964.99pen and brown ink and brush and brown wash over black chalk, heightened with whiteSheet: 35.7 x 27.1 cm (14 1/16 x 10 11/16 in.); Secondary Support: 35.7 x 27.4 cm (14 1/16 x 10 13/16 in.); Tertiary Support: 35.8 x 27.4 cm (14 1/8 x 10 13/16 in.)Dudley P. Allen FundCCCC0
Shepherdess
Winslow Homer (American, 1836–1910)
1924.489charcoal with brush and brown wash, heightened with white chalk; framing lines in graphiteSheet: 41.8 x 25.8 cm (16 7/16 x 10 3/16 in.); Image: 41 x 24.1 cm (16 1/8 x 9 1/2 in.)Gift of Dr. J. A. VincentCCCC0
The Conversion of Saul with Horseman and Banner
Jacob Jordaens (Flemish, 1593–1678)
1954.366Black and red chalk, pen and black and gray ink, brush and brown wash, watercolor, and gouache, heightened with white gouache; framing lines in red chalk and graphite (right edge)Sheet: 32.9 x 19.9 cm (12 15/16 x 7 13/16 in.)Delia E. Holden and L. E. Holden FundsCCCC0
Horses on a Cliff
Clifton G. Newell (American, b. 1899)
1931.209brown wash heightened with whiteGift of The Print Club of Cleveland©
The Meeting of Christ with Martha and Mary after the Death of Lazarus
Rembrandt van Rijn (Dutch, 1606–1669)
1962.116reed pen and brown ink and wash, heightened with white gouache (in the heads of the kneeling figures)Sheet: 17.5 x 20.8 cm (6 7/8 x 8 3/16 in.); Secondary Support: 17.5 x 20.8 cm (6 7/8 x 8 3/16 in.)Leonard C. Hanna, Jr. FundCCCC0
The Risen Christ Adored by Saints and Angels
Giorgio Vasari (Italian, 1511–1574)
1991.43Black chalk, pen and brown ink, and extensive white heightening (wash and point of brush), with incising on paper prepared with a brown wash.Sheet: 41.9 x 26.5 cm (16 1/2 x 10 7/16 in.)John L. Severance FundCCCC0
Landscape with Bridge
Marco Ricci (Italian, 1676–1729)
1961.168brush and brown wash with green gouache, heightened with lead white; framing lines in brown inkSheet: 40 x 54.5 cm (15 3/4 x 21 7/16 in.); Image: 36.7 x 51.9 cm (14 7/16 x 20 7/16 in.)Delia E. Holden FundCCCC0
A View from Bald Mountain, Orange County, N. Y.
Jasper F. Cropsey (American, 1823–1900)
1933.401pen and black ink, and brown wash heightened with white, over traces of graphiteSheet: 24.2 x 37.8 cm (9 1/2 x 14 7/8 in.)Gift of J. W. L. JonesCCCC0
The Relics
Jean-Jacques Grandville (French, 1803–1847)
2018.1065pen and brown ink, brown ink wash, heightened with white and red-orange gouache with scoring on wove paperSheet: 11.8 x 9.4 cm (4 5/8 x 3 11/16 in.); Mounted: 20.6 x 16.5 cm (8 1/8 x 6 1/2 in.)Bequest of Muriel ButkinCCCC0
Apollo with Erato and Cupid
Johann Kellerthaler (German, c 1560/2–1611)
2012.98pen and black ink and brown wash heightened with white gouache Sheet: 19.1 x 15 cm (7 1/2 x 5 7/8 in.)Purchase from the J. H. Wade FundCCCC0
A Blasted Tree (recto) Floorplan (verso)
Jasper F. Cropsey (American, 1823–1900)
1979.91pen and brown ink, brown wash and graphite, heightened with whiteSheet: 19 x 15.6 cm (7 1/2 x 6 1/8 in.)Dudley P. Allen FundCCCC0
Saddled Arabian Horse in Courtyard
Carle Vernet (French, 1758–1836)
2008.398pen and brown ink, brown wash, with gray wash, over black chalk or crayon, heightened with white gouache and white chalkSheet: 15.8 x 24.2 cm (6 1/4 x 9 1/2 in.); With mount: 22.3 x 30.7 cm (8 3/4 x 12 1/16 in.)Bequest of Muriel ButkinCCCC0
Virgin and Child with St. Catherine of Alexandria and Saint Anne (?)
Battista Franco (Italian, c. 1510–1561)
1965.16pen and brown ink and brush and brown wash with red chalk underdrawing, heightened with white gouache (partially tarnished); pricked (lower part of Virgin)Sheet: 26.1 x 26.2 cm (10 1/4 x 10 5/16 in.)Delia E. Holden FundCCCC0
The Last Communion of St. Jerome
Giovanni Battista Tiepolo (Italian, 1696–1770)
1950.449pen and brown ink and brush and brown wash over traces of black chalk heightened with lead whiteSheet: 55.2 x 40.8 cm (21 3/4 x 16 1/16 in.); Secondary Support: 55.2 x 40.8 cm (21 3/4 x 16 1/16 in.)Gift of Edward B. GreeneCCCC0
The Fox and the Turkey Hens: Illustration for the Fables of La Fontaine
Jean-Baptiste Oudry (French, 1686–1755)
1977.93brush and black ink and gray wash heightened with white gouache, blue ink in margin; framing lines in brown inkSheet: 31 x 26 cm (12 3/16 x 10 1/4 in.); Image: 24 x 18.8 cm (9 7/16 x 7 3/8 in.)John L. Severance FundCCCC0
Copy after Giulio Romano's Fall of Icarus
Giulio Romano (Italian, 1492/99–1546)
1992.90pen and brown ink and brush and brown wash over red chalk, heightened with lead whiteSheet: 39.8 x 29.3 cm (15 11/16 x 11 9/16 in.); Secondary Support: 41.9 x 31.6 cm (16 1/2 x 12 7/16 in.)Seventy-fifth anniversary gift of Robert A. Frary in memory of I. T. FraryCCCC0
St. Jerome in His Study
Filippino Lippi (Italian, 1457–1504)
1924.532pen and brown ink over traces of black chalk(?), with brush and brown wash, heightened with lead white; prickedSheet: 24 x 20.8 cm (9 7/16 x 8 3/16 in.); Secondary Support: 24.2 x 20.8 cm (9 1/2 x 8 3/16 in.)Gift of Leonard C. Hanna, Jr.CCCC0
Sheep
Rosa Bonheur (French, 1822–1899)
1915.716brush and brown wash over graphite, heightened with lead white (partially oxidized to pink)Sheet: 20.8 x 31.8 cm (8 3/16 x 12 1/2 in.)Hinman B. Hurlbut CollectionCCCC0
Winter Night in a Dutch Town
Jacob Cats (Dutch, 1741–1799)
1965.76watercolor heightened with white gouache; framing lines in brown washSheet: 30.9 x 47.5 cm (12 3/16 x 18 11/16 in.)Dudley P. Allen, Delia E. Holden, and L. E. Holden FundsCCCC0
The Nativity with the Dream of Joseph
Parmigianino (Italian, 1503–1540)
1924.1003pen and brown and black ink and brush and brown wash, with traces of brush and black wash, heightened with lead white (oxidized)Sheet: 8.6 x 7.5 cm (3 3/8 x 2 15/16 in.); Secondary Support: 14.9 x 13.4 cm (5 7/8 x 5 1/4 in.)Dudley P. Allen FundCCCC0
The Flight into Egypt
Gregorio Pagani (Italian, 1558–1605)
2015.67pen and brown ink and wash, heightened with white, over black chalk, on beige paperSheet: 39.9 x 25 cm (15 11/16 x 9 13/16 in.)John L. Severance FundCCCC0
Saint Christopher
Andrea Mantegna (Italian, 1431–1506)
1956.39pen and brown ink and blue gouache with brush and green wash and traces of orange gouache, heightened with white gouacheSheet: 28.6 x 17.4 cm (11 1/4 x 6 7/8 in.); Secondary Support: 28.7 x 17.6 cm (11 5/16 x 6 15/16 in.)Dudley P. Allen FundCCCC0
The Apotheosis of Romulus: Design for a Ceiling
Domenico Maria Canuti (Italian, 1625–1684)
2017.104Black chalk, pen and brown ink, brown wash, heightened with white, with perspectival indicationsSheet: 24 x 37.7 cm (9 7/16 x 14 13/16 in.)Severance and Greta Millikin Purchase FundCCCC0
Head of a Young Man
Filippino Lippi (Italian, 1457–1504)
1968.19point of brush and brown wash and brush and brown wash heightened with lead whiteSheet: 12 x 9.2 cm (4 3/4 x 3 5/8 in.); Secondary Support: 12 x 9.2 cm (4 3/4 x 3 5/8 in.); Tertiary Support: 17.3 x 14.4 cm (6 13/16 x 5 11/16 in.)Dudley P. Allen FundCCCC0
The Flaying of Marsyas
Jan van der Straet, called Johannes Stradanus (Netherlandish, active Italy, 1523–1605)
2018.26Pen and brown ink and brown and red washes, heightened with white paint (or gouache), on paper prepared with red washesSheet: 21.1 x 31.5 cm (8 5/16 x 12 3/8 in.)Severance and Greta Millikin Purchase FundCCCC0
François I Brandishing a Sword
Alexandre-Evariste Fragonard (French, 1781–1850)
2019.254Pen and brown ink and brush and brown wash with graphite underdrawing and white and yellow gouache heightening on wove paperSheet: 16.9 x 12.2 cm (6 5/8 x 4 13/16 in.)Bequest of Muriel ButkinCCCC0
Copy of Tintoretto's Children of Israel Gathering Manna
Jacopo Tintoretto (Italian, 1518–1594)
1929.534pen and brown ink and brush and brown wash, with brush and red (chalk?) wash and blue gouache, heightened with white gouacheSheet: 31.6 x 44.2 cm (12 7/16 x 17 3/8 in.); Secondary Support: 33.5 x 47.1 cm (13 3/16 x 18 9/16 in.)Dudley P. Allen FundCCCC0
Musical Scene
Gerrit van Honthorst (Dutch, 1590–1656)
2019.6black ink wash over pen and brown ink and black chalk over graphite on gray-brown paper with white heightening, incisedSheet: 17.3 x 20.4 cm (6 13/16 x 8 1/16 in.)John L. Severance FundCCCC0
Lobster (recto) Sketch of an Armoured Male Figure (verso)
Anonymous
1956.607brush and black, gray and brown wash, and red watercolor, heightened with white gouacheSheet: 12.5 x 30.1 cm (4 15/16 x 11 7/8 in.)Gift of Mr. Francis MatthiesenCCCC0
Boar Hunt
Abraham Hondius (Dutch, c. 1625–1695)
1960.157pen and black ink and brush and black and gray wash heightened with lead white (partially oxidized); framing lines in black and brown inkSheet: 41.9 x 52.5 cm (16 1/2 x 20 11/16 in.); Secondary Support: 41.9 x 52.5 cm (16 1/2 x 20 11/16 in.)Delia E. Holden FundCCCC0
Head of a Man, Two Studies of a Woman's Profile, and a Study of An Angel...
Benozzo Gozzoli (Italian, 1420–1497)
1937.24.bmetalpoint with point of brush and brown wash, brush and brown wash, and stylus, heightened with white gouacheSheet: 20.6 x 14.9 cm (8 1/8 x 5 7/8 in.); Secondary Support: 24.9 x 20.8 cm (9 13/16 x 8 3/16 in.)Purchase from the J. H. Wade FundCCCC0
Assumption of the Virgin
Italy, 17th century
1954.683pen and brown ink and brush and brown wash over red chalk, heightened with white gouache; incisedSheet: 36.7 x 28.4 cm (14 7/16 x 11 3/16 in.); Secondary Support: 36.7 x 28.4 cm (14 7/16 x 11 3/16 in.)The Norweb CollectionCCCC0
The Judgment of Paris
Carletto Caliari (Italian, 1570–1596)
1946.216pen and brown ink and brush and brown wash, with brush and gray wash, over black chalk, heightened with white gouache; framing lines in green ink and red chalk (bottom)Sheet: 39.2 x 51.1 cm (15 7/16 x 20 1/8 in.); Secondary Support: 39.2 x 51.1 cm (15 7/16 x 20 1/8 in.)Dudley P. Allen FundCCCC0
Copy after Primaticcio's Juno Awakening Sleep
Francesco Primaticcio (Italian, 1504–1570)
1929.537pen and black ink (with point of brush?) and brush and red-brown wash (red chalk wash?), heightened with lead white (partially oxidized); framing lines in brown ink with traces of gold paintSheet: 22.3 x 33.5 cm (8 3/4 x 13 3/16 in.); Secondary Support: 33.5 x 45.7 cm (13 3/16 x 18 in.)Dudley P. Allen FundCCCC0
A Barnyard with Goats and a Goatherd
Abraham Bloemaert (Dutch, 1564–1651)
1980.49pen and brown ink, brush and brown wash over black chalk, heightened with white gouache; framing lines in brown inkSheet: 9.2 x 15.3 cm (3 5/8 x 6 in.)Dudley P. Allen FundCCCC0
Album with Views of Rome and Surroundings, Landscape Studies, page 15a:...
Franz Johann Heinrich Nadorp (German, 1794–1876)
1989.13.qbrown wash with grahite and white heightening on yellow paperAndrew R. and Martha Holden Jennings FundCCCC0
Album with Views of Rome and Surroundings, Landscape Studies, page 19a:...
Franz Johann Heinrich Nadorp (German, 1794–1876)
1989.13.wgraphite and brown wash with white heightening on brown paperAndrew R. and Martha Holden Jennings FundCCCC0
View Near Tivoli (Vue prise à Tivoli)
Jean Achille Benouville (French, 1815–1891)
2010.240brown wash (with point of brush work) with gray wash and graphite, heightened with white (paint/gouache)Sheet: 18.7 x 27.4 cm (7 3/8 x 10 13/16 in.)Bequest of Muriel ButkinCCCC0
Allegory
Charles Abraham Chasselat (French, 1782–1843)
1982.366pen and black ink and brush and brown wash, heightened with white gouache; framing lines in black inkSheet: 15.3 x 9.7 cm (6 x 3 13/16 in.); Image: 14.3 x 9.1 cm (5 5/8 x 3 9/16 in.)Gift of Henry H. HawleyCCCC0
Noli Me Tangere
Anonymous
1987.46red chalk, brush and brown chalk wash, brush and brown ink, with brush and red chalk wash and red paint, heightened with white gouacheSheet: 25.4 x 33.2 cm (10 x 13 1/16 in.)Dudley P. Allen FundCCCC0
"The German troups received the formal order to spare private property"
Jean Louis Forain (French, 1852–1931)
1956.729black crayon and brush and brown, gray and red wash, heightened with white gouacheSheet: 31.9 x 47.8 cm (12 9/16 x 18 13/16 in.)The Fanny Tewksbury King CollectionCCCC0
Bacchanal
Pietro da Cortona (Italian, 1596–1669)
1954.688pen and brown ink and brush and brown wash over black chalk, heightened with white gouache; incised, framing lines in brown ink over traces of black chalkSheet: 26.3 x 43.5 cm (10 3/8 x 17 1/8 in.); Image: 25.4 x 42.7 cm (10 x 16 13/16 in.); Secondary Support: 26.3 x 43.5 cm (10 3/8 x 17 1/8 in.)The Norweb CollectionCCCC0
Copy of Raphael's Massacre of the Innocents
Raphael (Italian, 1483–1520)
1988.28pen and brown ink (iron gall) and brush and brown wash, heightened with traces of lead white(?) (oxidized); framing lines in brown inkSheet: 22.8 x 30.1 cm (9 x 11 7/8 in.); Secondary Support: 23.9 x 30.5 cm (9 7/16 x 12 in.)John L. Severance FundCCCC0
Ruth and Boaz (recto) The Fall of Simon Magus (verso)
Italy, 17th century
1954.684pen and brown ink and brush and brown wash over black chalk, heightened with lead whiteSheet: 30.2 x 27.7 cm (11 7/8 x 10 7/8 in.)The Norweb CollectionCCCC0
Bust of Diana with Putti and Hunting Attributes
Jacob de Wit (Dutch, 1695–1754)
1979.124pen and brown ink and brush and brown wash over black chalk, heightened with white; framing lines in black and brown ink over graphiteSheet: 29.2 x 15.3 cm (11 1/2 x 6 in.)Gift of Steve AlbertCCCC0
Allegorical Figure (recto and verso)
Anonymous
1968.68black chalk and brush and brown and gray wash heightened with white and gray gouache, with traces of stylus and white chalkSheet: 40 x 25.3 cm (15 3/4 x 9 15/16 in.)Gift of the John B. Putnam FoundationCCCC0
Roman Subject
Philibert Benoît Delarue (French, 1718–1780)
1939.656pen and black ink and brush and brown wash over black chalk, heightened with white gouache; framing lines in brown inkSheet: 24.2 x 36.3 cm (9 1/2 x 14 5/16 in.); Secondary Support: 24.2 x 36.3 cm (9 1/2 x 14 5/16 in.)Gift of Robert Hays GriesCCCC0
Small Group of Roman Ruins (verso)
Italy, 17th century
1955.159.bpen and brown ink and brush and brown wash with red chalk, heightened with white and orange gouacheSheet: 16.7 x 26 cm (6 9/16 x 10 1/4 in.)John L. Severance FundCCCC0
The Agony in the Garden
Santi di Tito (Italian, 1536–1602)
2015.14Pen and brown ink, brown wash, heightened with white gouache with traces of black chalk on hillside above stairs, squared in black chalk, on blue paper; within brown ink framing lines. Lined with cream wove paperSheet: 20.2 x 15.1 cm (7 15/16 x 5 15/16 in.)John L. Severance FundCCCC0
Madame de Maintenon Returning to the Catholic Church [2]
Charles Dominique Joseph Eisen (French, 1720–1778)
2010.288black chalk and brown wash, heightened extensively with white (gouache) and graphite Sheet: 27.5 x 33.2 cm (10 13/16 x 13 1/16 in.)Bequest of Muriel ButkinCCCC0
Madame de Maintenon Returning to the Catholic Church [1]
Charles Dominique Joseph Eisen (French, 1720–1778)
2010.292black chalk and brown wash, heightened extensively with white (gouache) with graphiteSheet: 27 x 28.5 cm (10 5/8 x 11 1/4 in.)Bequest of Muriel ButkinCCCC0
Portrait of Marie-Louise, Duchess of Parma
François Gérard (French, 1770–1837)
2009.113graphite and black and brown ink wash with white heighteningSheet: 50.8 x 47.2 cm (20 x 18 9/16 in.)Bequest of Muriel ButkinCCCC0
Perseus and Minerva before a Temple
Jan Goeree (Dutch, 1670–1731)
1998.152pen and brown ink, brush and brown and gray wash, over traces of red chalk, heightened with white gouache; framing lines in brown inkSheet: 21.4 x 15.8 cm (8 7/16 x 6 1/4 in.); Secondary Support: 25.5 x 19.7 cm (10 1/16 x 7 3/4 in.)John L. Severance FundCCCC0
Head of a Young Girl
Alexandre Hesse (French, 1806–1879)
2009.306black chalk, sanguine, brown wash with white chalk heightening on coarse gray paperSheet: 34.9 x 26.4 cm (13 3/4 x 10 3/8 in.)Bequest of Muriel ButkinCCCC0
Descent from the Cross
Anonymous
1993.223black chalk or crayon, and brush and brown wash, with traces of red chalk heightened with white gouache; framing lines in black ink (bottom)Sheet: 42.5 x 28.1 cm (16 3/4 x 11 1/16 in.); Secondary Support: 42.5 x 28.1 cm (16 3/4 x 11 1/16 in.)Gift of the family of Constance Mather BishopCCCC0