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Icon of the New Testament Trinity, c. 1450

Byzantium, Constantinople

2016.32CCCC0

Bacchus and Ariadne, 1808–11

Henry Bone (British, 1755–1834) and 1 other

2013.51CCCC0

Smoke, 2011

Pae White (American, b. 1963)

2011.203©

Tomb with Sphinx, c. 1779–84

Louis Jean Desprez (French, 1743–1804)

2018.207CCCC0

Disk, 850–1460

Central Andes, Lambayeque or Chimú people

2019.166CCCC0

Savoyard Helmet (Todenkopf), c. 1600–20

Italy or Germany, early 17th century

2013.50CCCC0

Sauveteur 3, 2014

Pascale Marthine Tayou (Cameroonian, b. 1966)

2018.204©

Cropley Ashley-Cooper (Later 6th Earl of Shaftesbury) with His Sister..., c. 1776

Daniel Gardner (British, c. 1750–1805)

2011.193CCCC0

Master Series, Four Portraits of Masters of Modern Art: Yan Wenliang ..., 2017

Liu Jing (Chinese, b. 1983)

2018.205©

Pietà, c. 1460

Southern Germany, Swabia, 15th century

2002.4CCCC0

Ceremonial Ladle (Wunkirmian or Wakemia), possibly late 1800s or early 1900s

Africa, West Africa, Côte d'Ivoire, Dan-style carver

2013.52CCCC0

Leaning Chimneys, 1938

William E. Smith (American, 1913–1997)

2022.53©

Politics, 1940

William E. Smith (American, 1913–1997)

2022.57©

Fon Kuoutou being carried to War against the Manguot, 1930s

Ibrahim Tita M’bohou (Bamum Kingdom (Cameroonian), 1914–1977)

2022.48©

Tool Shed, 1939

Fred Carlo (American, 1911–1987)

2022.52©

Three Illustrious Fons and a Queen before the Old Foumban Palace, 1961

Ibrahim Njoya (Bamum Kingdom (Cameroonian), c. 1887–1962)

2022.47©

Landscape No. 1, c. 1939

Hughie Lee-Smith (American, 1915–1999)

2022.54©

I've Known Rivers, 1941

William E. Smith (American, 1913–1997)

2022.55©

Figure 51: À droite, contraction partielle de l'élévateur commun de l...

Mécanisme de la physionomie humaine: Figure 51: À droite, contraction..., c. 1856, printed 1862

Guillaume-Benjamin-Amand Duchenne (de Boulogne) (French, 1806–1875) and 1 other

2018.10CCCC0

Figure 7: Étude du méchanisme et de l'expression du muscle frontal chez...

Mécanisme de la physionomie humaine: Figure 7: Étude du méchanisme et de..., c. 1856, printed 1862

Guillaume-Benjamin-Amand Duchenne (de Boulogne) (French, 1806–1875) and 1 other

2018.8CCCC0

Figure 54: Abaissement volontaire de la mâchoire inférieure: mouvement...

Mécanisme de la physionomie humaine: Figure 54: Abaissement volontaire..., c. 1856, printed 1862

Guillaume-Benjamin-Amand Duchenne (de Boulogne) (French, 1806–1875) and 1 other

2018.11CCCC0

Ceremonial beadwork for a Xhosa royal woman: headdress (umnqwazi),..., 1800s

Africa, Southern Africa, South Africa, Southeast Cape Region, Unknown female Xhosa-style maker(s)

2022.49CCCC0

Was Told 12 Times, 2022

Edgar Heap of Birds (Cheyenne and Arapaho Nations, b. 1954)

2023.8©

Untitled (One Day This Kid), 1990–91, printed 2018

David Wojnarowicz (American, 1954–1992)

2023.13©

Little Joy, 1940

William E. Smith (American, 1913–1997)

2022.56©

Figure 32: Natural laughter by the voluntary contraction of the two...

The Mechanism of Human Physiognomy: Figure 32: Natural laughter by the..., c. 1856, printed 1862

Guillaume-Benjamin-Amand Duchenne (de Boulogne) (French, 1806–1875) and 1 other

2018.9CCCC0

Bacchanales, 1763

Jean-Honoré Fragonard (French, 1732–1806)

2012.64CCCC0

Portrait of Madame Jules Ricard, née Augustine Bulteau, c. 1893

Fernand Khnopff (Belgian, 1858–1921)

2018.206CCCC0

The Triumph of Neptune, 1766 or later

Charles Joseph Natoire (French, 1700–1777)

2013.48CCCC0

The Storming of the Bastille, July 14, 1789 , 1790

Charles Thévenin (French, 1764–1838)

2015.21CCCC0

The Rest on the Flight into Egypt, 1587–1590

Camillo Procaccini (Italian, 1546–1629)

2015.26CCCC0

Sleeping Woman with a Cupid, 1780–1790

Henry Fuseli (Swiss, 1741–1825)

2013.35CCCC0

Rape of the Sabines, c. 1820

Vincenzo Camuccini (Italian, 1771–1844)

2013.54CCCC0

Disasters of War: Pl. 37, This is worse , 1810–1813

Francisco de Goya (Spanish, 1746–1828) and 1 other

2015.24CCCC0

Disasters of War: Pl., 3, The Same (Thing) , 1810–1813

Francisco de Goya (Spanish, 1746–1828) and 1 other

2015.22CCCC0

Disasters of War: Pl. 33, What more can one do? , 1810–1813

Francisco de Goya (Spanish, 1746–1828) and 1 other

2015.23CCCC0

Disasters of War: Pl. 58, It is no use shouting , 1810–1813

Francisco de Goya (Spanish, 1746–1828) and 1 other

2015.25CCCC0

Title, Date	Artist / Culture	Accession number	Medium	Dimensions	Credit line	Rights
Icon of the New Testament Trinity, c. 1450	Byzantium, Constantinople	2016.32	Tempera and gold on wood panel (poplar)	35.5 x 62.5 x 2.7 cm (14 x 24 5/8 x 1 1/16 in.)	Severance and Greta Millikin Trust	CCCC0
Bacchus and Ariadne, 1808–11	Henry Bone (British, 1755–1834) and 1 other	2013.51	enamel, in original gilt-wood and gesso carved frame	Unframed: 40.5 x 46 cm (15 15/16 x 18 1/8 in.)	Severance and Greta Millikin Trust	CCCC0
Smoke, 2011	Pae White (American, b. 1963)	2011.203	computerized loom fabric. cotton, and polyester	Overall: 430 x 850 cm (169 5/16 x 334 5/8 in.)	Severance and Greta Millikin Trust	©
Tomb with Sphinx, c. 1779–84	Louis Jean Desprez (French, 1743–1804)	2018.207	aquatint with etching	Platemark: 34 x 48.7 cm (13 3/8 x 19 3/16 in.); Sheet: 35 x 50.3 cm (13 3/4 x 19 13/16 in.)	Severance and Greta Millikin Trust	CCCC0
Disk, 850–1460	Central Andes, Lambayeque or Chimú people	2019.166	Silver	Diameter: 34.4 cm (13 9/16 in.)	Severance and Greta Millikin Trust	CCCC0
Savoyard Helmet (Todenkopf), c. 1600–20	Italy or Germany, early 17th century	2013.50	steel, blackened	Overall: 30.5 cm (12 in.)	Severance and Greta Millikin Trust	CCCC0
Sauveteur 3, 2014	Pascale Marthine Tayou (Cameroonian, b. 1966)	2018.204	Crystal, raffia, cloth, rubber, plastic bags, chicken feathers, wood (probably eucalyptus), paint, tempera, nail polish, string, foam, plastic, adhesive, and other mixed media	height: 132 cm (51 15/16 in.)	Severance and Greta Millikin Trust	©
Cropley Ashley-Cooper (Later 6th Earl of Shaftesbury) with His Sister..., c. 1776	Daniel Gardner (British, c. 1750–1805)	2011.193	pastel with black and red chalk and graphite	Sheet: 50.7 x 40.2 cm (19 15/16 x 15 13/16 in.)	Severance and Greta Millikin Trust	CCCC0
Master Series, Four Portraits of Masters of Modern Art: Yan Wenliang ..., 2017	Liu Jing (Chinese, b. 1983)	2018.205	Set of four woodblock prints and digital lithographic images	Image: 90 x 60 cm (35 7/16 x 23 5/8 in.); Paper: 120 x 60 cm (47 1/4 x 23 5/8 in.)	Severance and Greta Millikin Trust	©
Pietà, c. 1460	Southern Germany, Swabia, 15th century	2002.4	woodcut, hand colored with watercolor	Sheet: 38.7 x 28.8 cm (15 1/4 x 11 5/16 in.)	Severance and Greta Millikin Trust	CCCC0
Ceremonial Ladle (Wunkirmian or Wakemia), possibly late 1800s or early 1900s	Africa, West Africa, Côte d'Ivoire, Dan-style carver	2013.52	Wood, twine, and possibly resin	Overall: 56.8 x 11.2 x 7 cm (22 3/8 x 4 7/16 x 2 3/4 in.)	Severance and Greta Millikin Trust	CCCC0
Leaning Chimneys, 1938	William E. Smith (American, 1913–1997)	2022.53	linocut	Platemark: 24.4 x 29.5 cm (9 5/8 x 11 5/8 in.); Sheet: 30.4 x 40.6 cm (11 15/16 x 16 in.)	Severance and Greta Millikin Trust	©
Politics, 1940	William E. Smith (American, 1913–1997)	2022.57	linocut	Platemark: 23.1 x 17.3 cm (9 1/8 x 6 13/16 in.); Sheet: 29.5 x 24.1 cm (11 5/8 x 9 1/2 in.)	Severance and Greta Millikin Trust	©
Fon Kuoutou being carried to War against the Manguot, 1930s	Ibrahim Tita M’bohou (Bamum Kingdom (Cameroonian), 1914–1977)	2022.48	Paper, ink, watercolor	Paper: 49.5 x 63.5 cm (19 1/2 x 25 in.)	Severance and Greta Millikin Trust	©
Tool Shed, 1939	Fred Carlo (American, 1911–1987)	2022.52	linocut	Platemark: 23 x 27.5 cm (9 1/16 x 10 13/16 in.); Sheet: 30.5 x 34.9 cm (12 x 13 3/4 in.)	Severance and Greta Millikin Trust	©
Three Illustrious Fons and a Queen before the Old Foumban Palace, 1961	Ibrahim Njoya (Bamum Kingdom (Cameroonian), c. 1887–1962)	2022.47	Paper, ink, watercolor, carbon; wooden frame carved by the artist	Paper: 78.7 x 96.5 cm (31 x 38 in.)	Severance and Greta Millikin Trust	©
Landscape No. 1, c. 1939	Hughie Lee-Smith (American, 1915–1999)	2022.54	linocut	Platemark: 24 x 27.3 cm (9 7/16 x 10 3/4 in.); Sheet: 30.4 x 40.3 cm (11 15/16 x 15 7/8 in.)	Severance and Greta Millikin Trust	©
I've Known Rivers, 1941	William E. Smith (American, 1913–1997)	2022.55	linocut	Platemark: 21.7 x 21.7 cm (8 9/16 x 8 9/16 in.); Sheet: 40.7 x 30.4 cm (16 x 11 15/16 in.)	Severance and Greta Millikin Trust	©
Mécanisme de la physionomie humaine: Figure 51: À droite, contraction..., c. 1856, printed 1862	Guillaume-Benjamin-Amand Duchenne (de Boulogne) (French, 1806–1875) and 1 other	2018.10	Albumen print from glass plate negative	Image: 19.5 x 17 cm (7 11/16 x 6 11/16 in.); Paper: 21.5 x 17 cm (8 7/16 x 6 11/16 in.); Mounted: 41.1 x 27.5 cm (16 3/16 x 10 13/16 in.)	Severance and Greta Millikin Trust	CCCC0
Mécanisme de la physionomie humaine: Figure 7: Étude du méchanisme et de..., c. 1856, printed 1862	Guillaume-Benjamin-Amand Duchenne (de Boulogne) (French, 1806–1875) and 1 other	2018.8	Albumen print from glass plate negative	Image: 16.2 x 11.9 cm (6 3/8 x 4 11/16 in.); Paper: 23.5 x 17.9 cm (9 1/4 x 7 1/16 in.); Mounted: 41.2 x 27.4 cm (16 1/4 x 10 13/16 in.)	Severance and Greta Millikin Trust	CCCC0
Mécanisme de la physionomie humaine: Figure 54: Abaissement volontaire..., c. 1856, printed 1862	Guillaume-Benjamin-Amand Duchenne (de Boulogne) (French, 1806–1875) and 1 other	2018.11	Albumen print from glass plate negative	Image: 16.4 x 12.2 cm (6 7/16 x 4 13/16 in.); Paper: 22.7 x 17.3 cm (8 15/16 x 6 13/16 in.); Mounted: 41.1 x 27.4 cm (16 3/16 x 10 13/16 in.)	Severance and Greta Millikin Trust	CCCC0
Ceremonial beadwork for a Xhosa royal woman: headdress (umnqwazi),..., 1800s	Africa, Southern Africa, South Africa, Southeast Cape Region, Unknown female Xhosa-style maker(s)	2022.49	Glass beads, sinew, hide, ceramic		Severance and Greta Millikin Trust	CCCC0
Was Told 12 Times, 2022	Edgar Heap of Birds (Cheyenne and Arapaho Nations, b. 1954)	2023.8	Suite of 12 color etchings		Severance and Greta Millikin Trust	©
Untitled (One Day This Kid), 1990–91, printed 2018	David Wojnarowicz (American, 1954–1992)	2023.13	10 screenprints		Severance and Greta Millikin Trust	©
Little Joy, 1940	William E. Smith (American, 1913–1997)	2022.56	linocut	Platemark: 22.7 x 17.5 cm (8 15/16 x 6 7/8 in.); Sheet: 28.6 x 23.4 cm (11 1/4 x 9 3/16 in.)	Severance and Greta Millikin Trust	©
The Mechanism of Human Physiognomy: Figure 32: Natural laughter by the..., c. 1856, printed 1862	Guillaume-Benjamin-Amand Duchenne (de Boulogne) (French, 1806–1875) and 1 other	2018.9	Albumen print from glass plate negative	Image: 15.1 x 11 cm (5 15/16 x 4 5/16 in.); Paper: 22.7 x 17 cm (8 15/16 x 6 11/16 in.); Mounted: 41 x 27.6 cm (16 1/8 x 10 7/8 in.)	Severance and Greta Millikin Trust	CCCC0
Bacchanales, 1763	Jean-Honoré Fragonard (French, 1732–1806)	2012.64	etching	Sheet: 15.1 x 21.3 cm (5 15/16 x 8 3/8 in.); Image: 13.3 x 19.8 cm (5 1/4 x 7 13/16 in.)	Severance and Greta Millikin Trust	CCCC0
Portrait of Madame Jules Ricard, née Augustine Bulteau, c. 1893	Fernand Khnopff (Belgian, 1858–1921)	2018.206	black chalk on tan-colored vellum	Sheet: 40.5 x 32.4 cm (15 15/16 x 12 3/4 in.)	Severance and Greta Millikin Trust	CCCC0
The Triumph of Neptune, 1766 or later	Charles Joseph Natoire (French, 1700–1777)	2013.48	Watercolor and black chalk on two sheets of cream laid paper	Image: 23.8 x 34.1 cm (9 3/8 x 13 7/16 in.); Mounted: 34 x 44 cm (13 3/8 x 17 5/16 in.)	Severance and Greta Millikin Trust	CCCC0
The Storming of the Bastille, July 14, 1789 , 1790	Charles Thévenin (French, 1764–1838)	2015.21	Etching	Sheet: 41.6 x 58.5 cm (16 3/8 x 23 1/16 in.); Image: 36.9 x 58.1 cm (14 1/2 x 22 7/8 in.)	Severance and Greta Millikin Trust	CCCC0
The Rest on the Flight into Egypt, 1587–1590	Camillo Procaccini (Italian, 1546–1629)	2015.26	Etching	Sheet: 22 x 27 cm (8 11/16 x 10 5/8 in.)	Severance and Greta Millikin Trust	CCCC0
Sleeping Woman with a Cupid, 1780–1790	Henry Fuseli (Swiss, 1741–1825)	2013.35	etching	Sheet: 22.5 x 34 cm (8 7/8 x 13 3/8 in.)	Severance and Greta Millikin Trust	CCCC0
Rape of the Sabines, c. 1820	Vincenzo Camuccini (Italian, 1771–1844)	2013.54	black chalk with white heightening	Sheet: 24.2 x 39.3 cm (9 1/2 x 15 1/2 in.); Mounted: 33.2 x 46.8 cm (13 1/16 x 18 7/16 in.)	Severance and Greta Millikin Trust	CCCC0
Disasters of War: Pl. 37, This is worse , 1810–1813	Francisco de Goya (Spanish, 1746–1828) and 1 other	2015.24	Etching and aquatint	Sheet: 22.7 x 30.9 cm (8 15/16 x 12 3/16 in.); Platemark: 15.7 x 20.2 cm (6 3/16 x 7 15/16 in.)	Severance and Greta Millikin Trust	CCCC0
Disasters of War: Pl., 3, The Same (Thing) , 1810–1813	Francisco de Goya (Spanish, 1746–1828) and 1 other	2015.22	Etching and aquatint	Sheet: 24.4 x 33.3 cm (9 5/8 x 13 1/8 in.); Platemark: 15.8 x 22.9 cm (6 1/4 x 9 in.); to borderline: 14.6 x 19.8 cm (5 3/4 x 7 13/16 in.)	Severance and Greta Millikin Trust	CCCC0
Disasters of War: Pl. 33, What more can one do? , 1810–1813	Francisco de Goya (Spanish, 1746–1828) and 1 other	2015.23	Etching and aquatint	Sheet: 24.3 x 33.3 cm (9 9/16 x 13 1/8 in.); Platemark: 15.8 x 20.6 cm (6 1/4 x 8 1/8 in.); to borderline: 13.9 x 18.7 cm (5 1/2 x 7 3/8 in.)	Severance and Greta Millikin Trust	CCCC0
Disasters of War: Pl. 58, It is no use shouting , 1810–1813	Francisco de Goya (Spanish, 1746–1828) and 1 other	2015.25	Etching and aquatint	Sheet: 25.1 x 34.1 cm (9 7/8 x 13 7/16 in.); Platemark: 15.2 x 20.5 cm (6 x 8 1/16 in.); to borderline: 12.7 x 18.1 cm (5 x 7 1/8 in.)	Severance and Greta Millikin Trust	CCCC0

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