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https://piction.clevelandart.org/cma/ump.di?e=736D0677D9A139D6213ABC81200A6F9A534B411ABCACE09AD659CD11CEC229DC&s=24247294&se=1777841945&v=1&f=%5Cd2648%5Cu170126482%5C2018.1071_o2.jpg
Dec 27, 2018
Meditation
Meditation
1920
Max Weber
(American, 1881–1961)
Color linocut on Chinese paper
Support: Chinese paper
Image: 6.7 x 2.7 cm (2 5/8 x 1 1/16 in.); Sheet: 23.8 x 16.5 cm (9 3/8 x 6 1/2 in.)
Gift of James and Hanna Bartlett 2018.1071
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Did you know?
This print was reproduced as an illustration for a poem published in a 1922 issue of the avant-garde journal Broom.
Description
The American artist Max Weber was deeply influenced by non-Western art, including African masks that he viewed at Parisian museums and Japanese prints, which he learned about as a student. Around 1919, he began to combine these interests in a series of relief prints, such as the one seen here. Weber deconstructed the human figure into component parts, emphasizing its simplicity and geometry.
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