Part of a set. See all set records
Support: Medium weight, mould-made wove paper
Platemark: 35.2 x 48 cm (13 7/8 x 18 7/8 in.); Sheet: 40.5 x 57.8 cm (15 15/16 x 22 3/4 in.)
Severance and Greta Millikin Purchase Fund 2006.114.2
Catalogue raisonné: Fine and Looney 142
This series of lithographs shows the artist Benton Spruance’s affinity for Mexican mural painting by such artists as Diego Rivera.
These unusual cross-section views of New York City imagine the daily commute in the big city as a beehive or ant colony that never stops. Morning is the subway commute, while Noon presents dock workers on break during a bustling lunch hour. Evening is back to the subway with the buses running overhead. And Night shows workers performing maintenance while others enjoy time off at a bar, only to start all over again the next day. Jammed with commuters both above and below street level, the series highlights the intermingling of strangers that animates urban life.
The information about this object, including provenance information, is based on historic information and may not be currently accurate or complete. Research on objects is an ongoing process, but the information about this object may not reflect the most current information available to CMA. If you notice a mistake or have additional information about this object, please email email@example.com.
To request more information about this object, study images, or bibliography, contact the Ingalls Library Reference Desk.
Request a digital file from Image Services that is not available through CC0, a detail image, or any image with a color bar. If you have questions about requesting an image, please email firstname.lastname@example.org.