Images
https://piction.clevelandart.org/cma/ump.di?e=4205F6F252E8FB76A482E86C98C4D664DDB1A547AB6995573D08213E824248F2&s=24247294&se=1264619111&v=1&f=%5Cd9410%5Cu85994102%5C2005.436_o2.jpg
https://piction.clevelandart.org/cma/ump.di?e=75AA06F29663A029A6DA2D500D63C6A517ED79BFC774EE1DC706D68AC9B56317&s=24247294&se=1264619111&v=5&f=2005.436_o2.jpg
https://piction.clevelandart.org/cma/ump.di?e=0319D0B150A0024058E8E9D8DA76CC6BFDDDC33A5C97A28E9BDF4D593A62E7BD&s=24247294&se=1264619111&v=0&f=2005.436_o2.jpg
Apr 12, 2018
Apr 25, 2006
Nov 28, 2017
Salt Creek
Salt Creek
1919, printed 1927–31
Gustave Baumann
(American, born Germany, 1881–1971)
Color woodcut
Support: Zanders laid paper
Image: 24.3 x 28.8 cm (9 9/16 x 11 5/16 in.); Sheet: 34.2 x 43.3 cm (13 7/16 x 17 1/16 in.)
Gift of Ann Baumann 2005.436
© Ann Baumann Trust
Catalogue raisonné: Chamberlain 70.3
Location
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Description
Baumann carefully chose printing papers. He preferred fine linen or cotton papers with a toothier surface. Slightly textured paper with hills and valleys, if lightly inked and printed with a minimum of pressure, produces random speckles of unprinted white paper across the printed image (notice the white speckles in the blue sky of Salt Creek), impressionistic effects resembling the bright light and airiness in landscapes.
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