Oct 6, 2008

The Means to an End...A Shadow Drama in Five Acts: The Plunge

The Means to an End...A Shadow Drama in Five Acts: The Plunge

1995

Part of a set. See all set records

Kara Walker

(American, b. 1969)

published by

Landfall Press

Etching and aquatint

Support: Somerset Satin wove paper

Sheet: 88 x 59.2 cm (34 5/8 x 23 5/16 in.)

John L. Severance Fund 1999.93.d

Edition: 20

Location

Description

The Means to an End is a panorama that reads like chapter headings in a historical romance novel: "The Beginning," "The Hunt," "The Chase," "The Plunge," and "The End." The characters are antebellum stereotypes-slave and master or mistress, adult and child-each depicted in the style of 19th-century silhouettes. These generalized black shadows allow Walker to distance the explicit aggression portrayed in the scene and to equalize the actors, underscoring the notion that the weak accept the strong with benign passivity. As an African American artist, Walker has been criticized for her imagery, but she explains, "Illicit sex and violence are suggested as a means by which freedom was attained . . . [A] lot of it comes from the perspective of the self-made slave/mistress. It's history three times removed from me."

See also
Collection: 
PR - Etching
Department: 
Prints
Type of artwork: 
Print

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