late 1500s-early 1600s
Part of a set. See all set records
Pair of six-fold screens; ink on paper
Overall: 170.2 x 371.8 cm (67 x 146 3/8 in.); Painting only: 152 x 359 cm (59 13/16 x 141 5/16 in.)
Leonard C. Hanna, Jr. Fund 1987.9.2
Depictions of geese usually appear as ink paintings in Japan during the 1200s. They later show up in the colorful landscapes of illustrated handscrolls. Such early ink renditions of the birds have long been associated with classical Chinese Zen painting and poetry, which was avidly admired and collected in medieval Japan. In the screens on display, the artist portrayed the waterfowl in a pastoral setting without reference to classical or religious themes. Such ordinary subjects were imbued with special meaning in 14th- and 15th-century Japan through associations with continental culture, Zen thought and poetry, and famous Chinese monk-painters whose painting techniques had become revered as visual emblems of Zen principles. The screens here reflect the continuation of that painting tradition in the late 1500s or early 1600s by the head of the most important studio in Kyoto. Sanraku also executed a number of colorful folding screen compositions, but here pays homage to the style of early Zen painting.
The information about this object, including provenance information, is based on historic information and may not be currently accurate or complete. Research on objects is an ongoing process, but the information about this object may not reflect the most current information available to CMA. If you notice a mistake or have additional information about this object, please email email@example.com.
To request more information about this object, study images, or bibliography, contact the Ingalls Library Reference Desk.
Request a digital file from Image Services that is not available through CC0, a detail image, or any image with a color bar. If you have questions about requesting an image, please email firstname.lastname@example.org.