Images
https://piction.clevelandart.org/cma/ump.di?e=1AC8466CB48C7EFF53728A4DD566BCA30590D27716C4F6FC8C939BE263CDEC4B&s=24247294&se=889606143&v=3&f=1979.27.2.17_o2.jpg
https://piction.clevelandart.org/cma/ump.di?e=176F9C6600B6A70D3306EAC64A572CF71CF2DBECB8A32AA8901A1C9580D4613E&s=24247294&se=889606143&v=1&f=%5C1979.27.2.17_o2.jpg
Nov 10, 2009
May 26, 2010
Paintings after Ancient Masters: Chrysanthemum
Paintings after Ancient Masters: Chrysanthemum
老蓮橅古: 菊花
1598–1652
Part of a set. See all set records
Chen Hongshou 陳洪綬
(Chinese, 1598/99–1652)
(1368–1644)
Album leaf; ink and color on silk
Overall: 30.2 x 26.7 cm (11 7/8 x 10 1/2 in.)
John L. Severance Fund 1979.27.2.17
Location
Download and Share
Description
Poet Tao Yuanming (365–427 CE) turned down a career as an official in politically turbulent times to return to his home estate, northwest of Mount Lu, to write poetry and enjoy his garden and wine. As he grew chrysanthemums, Tao is associated with this flower.
The artist Chen Hongshou, active in Zhejiang province, suffered through the violent transition from the Ming to the Qing dynasty around 1644. This painting of chrysanthemums alludes to the poet who lived a millennium earlier during similarly fraught times.
Contact us
The information about this object, including provenance, may not be currently accurate. If you notice a mistake or have additional information about this object, please email [email protected].
To request more information about this object, study images, or bibliography, contact the Ingalls Library Reference Desk.
All images and data available through Open Access can be downloaded for free. For images not available through Open Access, a detail image, or any image with a color bar, request a digital file from Image Services.