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https://piction.clevelandart.org/cma/ump.di?e=265EA5269ADE9E88054F0F8779C6F5C7D728CF38DC71CF86AC9136632E09B256&s=24247294&se=2036129307&v=6&f=1971.294_o2.jpg
https://piction.clevelandart.org/cma/ump.di?e=340008AC11652A8A3FB0F1C2F6BFCA23307D03BF329E0E80D7C0229853B197A7&s=24247294&se=2036129307&v=1&f=%5C1971.294_o2.jpg
https://piction.clevelandart.org/cma/ump.di?e=EB2C6754316106A398156EF74644BFB5EE8CBD3E66FFDE1B1535942473FA25EF&s=24247294&se=2036129307&v=1&f=%5C1971.294det01_o2.jpg
Face Mask
Face Mask
early 1900s
Wood, boar tusks, pelt, cloth, human hair, probably aluminum, reeds, iron alloy, copper alloy, plant fiber, and paint
Overall: 38.1 cm (15 in.)
Gift of Katherine C. White 1971.294
Location
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Description
Tubular eyes and the fringe of carved leopard canine teeth identify this mask as male. Such masks appeared only during very important moments. The dancer wore a leopard skin over his head and shoulders, held an elephant's tusk in his hand, and had his face painted white. The masks function as peacemakers; they led soldiers into battle, and administered justice.
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