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Additional Views

Feb 24, 2010

Dec 8, 2009

Feb 24, 2010

Dec 8, 2009

Feb 24, 2010

Dec 8, 2009

River Village in a Rainstorm

江村風雨圖

c. 1480–1507

Lu Wenying 呂文英

(Chinese)

China, Ming dynasty

(1368–1644)

Hanging scroll, ink and slight color on silk

Painting: 170.5 x 103.4 cm (67 1/8 x 40 11/16 in.); Overall with knobs: 279.6 x 134.3 cm (110 1/16 x 52 7/8 in.)

John L. Severance Fund 1970.76

Location

not on view

Did you know?

A young boy peeks out a window perhaps viewing the two people struggling through the rain.

Description

Over this vista, the diagonal sweeps of the storm—the bands of wind and rain that conceal the land and stir up the river while bending all the vegetation—intensify its unstoppable momentum. Beneath the blur of nature’s fury are buildings and pavilions, or human settlements that remain peaceful and unaffected. This is not a depiction of a catastrophe, but rather an appreciation of nature’s awesome power.

Inscriptions

Inscription

呂文英 [印] 日近清光

Inscription Translation

Artist's signature and seal: Lu Wenying [seal] Ri jing qing guang.

Inscription Remark

Use of this seal, translated as "Daily in Proximity to [His Majesty's] Pure Luminescence," was reserved for only top-ranking court painters.

Provenance

?-1970

(Kinzen Company, Ltd., Tokyo, Japan, sold to the Cleveland Museum of Art)

1970-

The Cleveland Museum of Art, Cleveland, OH

Citations

Suzuki, Kei 鈴木敬. Chūgoku bijutsu 中國美術. Tōkyō: Kōdansha, 1972. Mentioned and Printed; II, pt. 2, pp. 215-216, pl. 3

Suzuki, Kei 鈴木敬. Ri Tō, Ba En, Ka Kei 李唐・馬遠・夏珪. Tōkyō: Kōdansha, Shōwa 49 [1974]. Reproduced: p. 168, pl. 73

Lee, Sherman E. “Early Ming Painting at the Imperial Court.” The Bulletin of the Cleveland Museum of Art, vol. 62, no. 8, 1975, pp. 243–259. Reproduced: p. 251, figs. 11-13 www.jstor.org

Kawakami, Kei 川上涇, and Takeyoshi Tsuruta 鶴田武. Chūgoku no meiga 中国の名画. Tōkyō: Sekai Bunkasha, 1980. Mentioned and Reproduced: X, 38, p. 36

The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978. Reproduced: p. 348 archive.org

Cahill, James. Parting at the Shore: Chinese Painting of the Early and Middle Ming Dynasty, 1368-1580. New York: Weatherhill, 1978. Reproduced: p. 108, pl. 51

Ho, Wai-kam, Sherman E. Lee, Laurence Sickman, and Marc F. Wilson. Eight Dynasties of Chinese Painting: The Collections of the Nelson Gallery-Atkins Museum, Kansas City, and the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art, in cooperation with Indiana University Press, 1980. Reproduced: cat. no. 139, p. 164

Suzuki, Kei 鈴木敬. Chugoku kaiga shi [中國繪畫史 = A History of Chinese Painting]. Tōkyō: Yoshikawa Kobunkan, 1981. Reproduced: p. 62, cat. no. 60

Tōyō kaiga no seika: tokubetsuten: Kurīvurando Bijutsukan no korekushon kara [東洋絵画の精華 : 特别展 : クリーヴラント美術館のコレクションから = Highlights of Asian painting from the Cleveland Museum of Art]. Nara, Japan: Nara National Museum, 1998. Reproduced: p. 57, cat. no. 33

Nishioka, Yasuhiro 西岡康宏 and Noriko Miyazaki 宮崎法子. Min 明. Tōkyō: Shōgakukan, 1999. Reproduced: p. 27, no. 12

Watson, William. The Arts of China 900-1620. New Haven: Yale University Press, 2000. Reproduced: p. 182, fig. 272

Admired from afar: masterworks of Japanese painting from the Cleveland Museum of Art [クリーブランド美術館展 : 名画でたどる日本の美 Kurīburando Bijutsukan ten: meiga de tadoru Nihon no bi ]. Tokyo: Tōkyō Kokuritsu Hakubutsukan, 2014. Reproduced: p. 102, fig. 5

Chou, Ju-hsi and Anita Chung. Silent poetry: Chinese paintings from the collection of the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art, 2015. Reproduced: pp. 260-263

Giuffrida, Noelle. Separating Sheep from Goats: Sherman E. Lee and Chinese Art Collecting in Postwar America. Oakland, California: University of California Press, 2018. Reproduced: p. 153, fig. 85

Exhibition history

Main Asian Rotation (Gallery 119). The Cleveland Museum of Art, Cleveland, OH (July 13-November 17, 2004).

Year in Review: 1970. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 10-March 7, 1971).

Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 11-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982); The Asia Society Museum, New York, NY (December 3, 1982-February 28, 1983).

Highlights of Asian Paintings from The Cleveland Museum of Art. Nara National Museum (organizer) (February 21-March 29, 1998); Suntory Museum of Art (April 28-June 21, 1998).

Admired from Afar: Masterworks of Japanese Painting from the Cleveland Museum of Art. Tokyo National Museum, Tokyo, Japan (January 15-February 23, 2014); Kyushu National Museum, Fukuoka, Japan (July 8-August 31, 2014).

Ji Yunfei: Last Days of Village Wen. The Cleveland Museum of Art (organizer) (February 12-July 31, 2016).

Cite this page

{{cite web|title=River Village in a Rainstorm|url=https://clevelandart.org/art/1970.76|author=Lu Wenying|year=c. 1480–1507|access-date=23 March 2023|publisher=Cleveland Museum of Art}}

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River Village in a Rainstorm

River Village in a Rainstorm

江村風雨圖

Lu Wenying 呂文英

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