Feb 24, 2022
Jul 11, 2011

Hearing her declaration of love, Ayaz falls at the feet of Mahmuda at the holy shrine. The scene is witnessed by Salim, Ayaz’s friend, and a maid, from a Tuti-nama (Tales of a Parrot): Thirty-third Night

Hearing her declaration of love, Ayaz falls at the feet of Mahmuda at the holy shrine. The scene is witnessed by Salim, Ayaz’s friend, and a maid, from a Tuti-nama (Tales of a Parrot): Thirty-third Night

c. 1560

Part of a set. See all set records

Mughal India, court of Akbar

(reigned 1556–1605)

Gum tempera, ink, and gold on paper

Overall: 20.3 x 14 cm (8 x 5 1/2 in.); Painting only: 8.7 x 10.2 cm (3 7/16 x 4 in.)

Gift of Mrs. A. Dean Perry 1962.279.221.a

Location

Did you know?

The red fence designates the boundary of a sacred space.

Description

On the right, an ecstatic Ayaz, dressed in the orange tunic, reunites with his lover, Mahmuda, in a cemetery after her unwilling marriage to another man. Despite this separation, their mutual love has remained true. Salim, watching the reunion with Mahmuda’s maid, quickly devises a plan that will allow the couple to remain together.

See also

Contact us

The information about this object, including provenance, may not be currently accurate. If you notice a mistake or have additional information about this object, please email collectionsdata@clevelandart.org.

To request more information about this object, study images, or bibliography, contact the Ingalls Library Reference Desk.

All images and data available through Open Access can be downloaded for free. For images not available through Open Access, a detail image, or any image with a color bar, request a digital file from Image Services.