Images
https://piction.clevelandart.org/cma/ump.di?e=7C611DBB51A06E9E7E2CF122C24008686F91E641FAA67ED2573F5E0E89082CFB&s=24247294&se=1875810402&v=6&f=1938.107_o2.jpg
https://piction.clevelandart.org/cma/ump.di?e=7308509062F396986158CE9686E60CCD4A405F9FE2083436DFB0E93445BE83CE&s=24247294&se=1875810402&v=0&f=%5C1938.107_o2.jpg
https://piction.clevelandart.org/cma/ump.di?e=6B9804180A26A2B7E6432DA571891A21F241F2CF715281CB294274B809DA5FE7&s=24247294&se=1875810402&v=0&f=%5C1938.107_o2.jpg
Aug 11, 2010
Dec 4, 2012
Basin of San Marco
Basin of San Marco
1897
Thomas Moran
(American, 1837–1926)
Watercolor over graphite
Support: Cream (3) wove paper (discolored) laid down on yellow-orange board
Sheet: 30.3 x 48.1 cm (11 15/16 x 18 15/16 in.)
Bequest of Mrs. Henry A. Everett for the Dorothy Burnham Everett Memorial Collection 1938.107
Location
Download and Share
Description
Moran's watercolor of Venice captures both the splendor of the city and the pathos of its fading glory. His interest in the subject was no doubt influenced by John Ruskin's famous book The Stones of Venice (1851–53), as well as by the paintings and watercolors of the British artist Joseph Mallord William Turner (1775–1851), whom Ruskin greatly admired.
Contact us
The information about this object, including provenance, may not be currently accurate. If you notice a mistake or have additional information about this object, please email [email protected].
To request more information about this object, study images, or bibliography, contact the Ingalls Library Reference Desk.
All images and data available through Open Access can be downloaded for free. For images not available through Open Access, a detail image, or any image with a color bar, request a digital file from Image Services.