Apr 1, 2015

Diana and Endymion

Diana and Endymion


Nicolas LeSueur

(French, 1691–1764)

after Sebastian Conca

(Italian, 1680–1764)

Chiaroscuro woodcut

Sheet: 62.1 x 44.7 cm (24 7/16 x 17 5/8 in.); Image: 44.7 x 31.1 cm (17 5/8 x 12 1/4 in.)

Charles W. Harkness Endowment Fund 1923.1054

Catalogue raisonné: Le Blanc 21



Chiaroscuro drawings were executed on paper colored a middle tone. While black or brown wash was used to create shadows, white gouache (opaque watercolor) was used for highlights. In the early 16th century, German printmakers developed a method to achieve similar effects using woodcut. The outline of the image is printed in black from one block of wood, while the shadows are printed from a second block in a color. For Diana and Endymion, two blocks were used to print two shades of green. The white, unprinted areas of the paper serve as the highlights. The technique of chiaroscuro woodcuts was revived in France in the early 18th century by LeSueur.

See also
PR - Chiaroscuro
Type of artwork: 

Contact us

The information about this object, including provenance, may not be currently accurate. If you notice a mistake or have additional information about this object, please email collectionsdata@clevelandart.org.

To request more information about this object, study images, or bibliography, contact the Ingalls Library Reference Desk.

All images and data available through Open Access can be downloaded for free. For images not available through Open Access, a detail image, or any image with a color bar, request a digital file from Image Services.