11150 East Boulevard
Cleveland, Ohio 44106
info [at] ClevelandArt [dot] org
Tuesday, Thursday, Saturday, Sunday
10:00 a.m.–5:00 p.m.
10:00 a.m.–9:00 p.m.
Free General Admission
Showcases the development and primacy of Netherlandish manuscript painting during the later Middle Ages with works from the permanent collection
An exhibition of 15 botanically inspired luxury textiles drawn from CMA’s exemplary collection.
This exhibition focuses on relationships among the photographic work of three artists active during the 1970s that drew on ideas of surrealist/Dada culture of the 1920s and 1930s and influenced succeeding generations of photographers and media artists. Each embraced photography as one element of an artistic practice guided as much by literature, philosophy, and an attention to popular culture as by classical formal concerns of the medium. Yet, photographic process and context remained important to them.
Epic Systems: Three Monumental Paintings by Jennifer Bartlett will bring together Bartlett’s most ambitious works in an installation that spans the entirety of her significant career.
Famed landscape painter Frederic Church (1826-1900) had a long-standing love affair with the natural beauty of Maine. Over the course of three decades, he visited often, creating intimately scaled sketches in a variety of media that served to inspire his major works.
Aleksandra Domanović works across a range of media to investigate how existing images and information circulate, and rearranges them in various ways to produce new meaning and content.
The first institutional solo exhibition in 20 years, Julia Wachtel features the works for which she became known, in addition to recent paintings.
Anicka Yi creates art that poetically speaks to the experience of everyday life and the things that govern it.
Influenced by the Harlem Renaissance, Jacob Lawrence (1917–2000) believed that art should be a quest for both personal and communal identity, a philosophy he advocated throughout his long and distinguished career.
Through 167 photographs and illustrated books, the Raymond collection tells two stories: one of a radical moment in early twentieth-century art and the other of an impassioned collector whose adventurous spirit and vision harmonized perfectly with his subject.